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Subject collection: Literary Studies (221 titles, 1971–2015)
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Subject collection: Literary Studies (221 titles, 1971–2015)
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Collection Contents
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Aproximació a l'altre / An approach to the other
Editor(s): Enric Balaguer, Maria Jesús Francés and Vicent VidalMore LessThe different contributions included in this volume deal with aspects of biographical writing and other similar genres (semblances, portraits, etc.). These articles analyze theoretical and generic questions as well as some of the most relevant examples of the genre – with a focus on those written in Catalan. In addition, some of the articles focus on the relationship between biography and national images (nation-building) from a sociocultural standpoint.
The Research Group on Contemporary Literature from the Universitat d’Alacant has gathered contributions from several specialists in numerous fields and has selected a group of relevant works for analysis. In addition to studies on authors such as André Maurois and Lytton Strachey, contributions deal with figures such as Josep Pla, Domènec Guansé, Josep Maria Espinàs and Agustí Pons. Finally, some contributions pay attention to the biographical genre in the audiovisual arts.
The volume contains contributions in Spanish, English, and Catalan.
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After the Classics
Author(s): Vicent Andrés EstellésEditor(s): Dominic Keown and Tom OwenMore LessThis selection of the verse of Valencian poet Vicent Andres Estelles (1924-1993) is accompanied by a translation into English from the original Catalan. The format of an innovative dialogue with classical authors — a cornerstone of Estellesian expression — constitutes an ingenious invocation and parodic commentary on the output and ethos of the Latin poets Horace, Ovid, Virgil and Catullus, the medieval patriarch of Valencian letters Ausiàs March and the Renaissance Castilian poet, Garcilaso de la Vega. For Estellés, Octavian Rome provides a parallel to the Franco dictatorship and the historical framework surrounding these writers affords the neophyte an opportunity for ideological denunciation, creative wit and lyrical grace as well as righteous anger at the oppressive pettiness of life under autocracy. The translators have attempted to bring to an Anglophone readership the wealth of achievement of this writer who, despite the severity of fascist repression, sang and celebrated the experience of his own community through its own oppressed language.
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The Art of Sympathy in Fiction
Author(s): Howard SklarBy taking an interdisciplinary approach — with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature — The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the “moral imagination.” Part I examines the dynamics of readers’ beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympathy, providing a comprehensive definition and considering the ways in which it operates in life and in literature. Part I concludes with a discussion of the narratological and rhetorical features of fictional narratives that theoretically elicit sympathy in readers. Part II applies these theories to four stories that persuade readers to sympathize with characters who seem unsympathetic. Finally, based on empirical findings from the responses of adolescent readers, Part III considers pedagogical approaches that can help students reflect on emotional experiences that result from reading fiction.
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Author Representations in Literary Reading
Author(s): Eefje ClaassenAuthor Representations in Literary Reading investigates the role of the author in the mind of the reader. It is the first book-length empirical study on generated author inferences by readers of literature. It bridges the gap between theories which hold that the author is irrelevant and those that give him prominence. By combining insights and methods from both cognitive psychology and literary theory, this book contributes to a better understanding of how readers process literary texts and what role their assumptions about an author play. A series of experiments demonstrate that readers generate author inferences during the process of reading, which they use to create an image of the text’s author. The findings suggest that interpretations about the author play a pivotal role in the literary reading process. This book is relevant to scholars and students in all areas of the cognitive sciences, including literary studies and psychology.
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An Approach to Translation Criticism
Author(s): Lance HewsonLance Hewson's book on translation criticism sets out to examine ways in which a literary text may be explored as a translation, not primarily to judge it, but to understand where the text stands in relation to its original by examining the interpretative potential that results from the translational choices that have been made. After considering theoretical aspects of translation criticism, Hewson sets out a method of analysing originals and their translations on three different levels. Tools are provided to describe translational choices and their potential effects, and applied to two corpora: Flaubert's Madame Bovary and six of the English translations, and Austen's Emma, with three of the French translations. The results of the analyses are used to construct a hypothesis about each translation, which is classified according to two scales of measurement, one distinguishing between "just" and "false" interpretations, and the other between "divergent similarity", "relative divergence", "radical divergence" and "adaptation".
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L'Aube de la Modernité 1680-1760
Editor(s): Peter-Eckhard Knabe, Roland Mortier and François MoureauMore LessThe purpose of this collective work is to throw new light on a period which is defined, neither in historical, nor in ideological terms, but along specific literary criteria. Across the XVIIth and the XVIIIth century, a new perspective appears on the status of literature and its relation to the author. Literature overflows the traditional limits of the so called “belles lettres” and the classical rules inherited from the tradition. Starting with The battle of the books, or with the new psychology of Marivaux’s comedies and journals, the way is paved for a new form of writing that will eventually promote a new kind of drama, rooted in real life, as well as a considerable extension of the realm of satiric inspiration. The famous “Querelle des Anciens et des Modernes” is a token of this profound change. While the prestige of the author is raised (as in Pope’s case), the domain of literature is extended to the field of social and economic life, giving models and advice even on trivial and utilitarian matters. These trends are studied in a broad European perspective by a team of scholars coming from various horizons and cultures.
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Aspects of Literary Comprehension
Author(s): Rolf A. ZwaanGiven the fact that there are widely different types of text, it is unlikely that every text is processed in the same way. It is assumed here that for each text type, proficient readers have developed a particular cognitive control system, which regulates the basic operations of text comprehension. The book focuses on the comprehension of literary texts, which involves specific cognitive strategies that enable the reader to respond flexibly to the indeterminacies of the literary reading situation. The study relies heavily on methods and theoretical conceptions from cognitive psychology and presents the results of experiments carried out with real readers. The results are not only relevant to research problems in literary theory, but also to the study of discourse comprehension in general.
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André Breton
Author(s): John MatthewsBreton's stature is much greater than that of a number of contemporaries who have received, already, far more attention from the critics than he. It provides justification without excuse, especially when the commentator's purpose is to shed light on the intricacies of Breton's mind, the significance of his original work, or the impact of his ideas on twentieth-century culture. Hence the aim pursued in the present study may be stated without further preamble: To attempt to broaden understanding of the evolution of André Breton's thinking during a critical period in his life, the one which brought him to leadership of the surrealist movement in France. Evidently, the focus here is narrow, the goal being to give clearer definition to the intellectual state of a young man emerging from doubt—and so from self-doubt—into renewed confidence in his poetic calling.
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Auctor Ludens
Editor(s): Gerald Guinness and Andrew HurleyMore LessThis is a book about play practice rather than play theory. Of course, practice presupposes theory, but here the editors choose to keep general theoretical assumptions under cover rather then force them into explicitness. The contributors to this volume were given free rein to discuss whatsoever aspect of literary play caught their fancy. The absence of a predetermined theoretical framework has resulted in an idiosyntractic volume on the different forms of play.
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Les Avant-gardes littéraires au XX<sup>e</sup> siècle
Editor(s): Jean WeisgerberMore LessLe présent ouvrage, composé de deux volumes, réunit la documentation la plus complète et variée qui existe à ce jour dans la matière. Conçu comme un authentique travail collectif, il examine les mouvements littéraires d’avant-garde de 1905–1910 à 1975 successivement sous les angles diachronique (histoire et typologie: vol. I) et synchronique (tendances esthétiques, genres et procédés, relation avec les beaux-arts, la science et la technique, perspectives sociologiques, réception critique: vol. II). Plus de cinquante auteurs, originaires d’une zone s'étendant de la Suède et de la Roumanie à l’Argentine et aux États-Unis, ont collaboré ici, axant leurs enquêtes sur des objectifs analogues, confrontant leurs résultats, résolvant nombre de problèmes, en soulevant d’autres, prospectant non seulement tous les pays d’Europe et d’Amérique, mais jusqu’à l’Afrique du Nord, le Proche-Orient et les Antilles. L’ensemble, complexe et fouillé, offre néanmoins une image cohérente du sujet, non point dogmatique, mais nuancée.
Comme l’exigeait la matière, l’analyse des textes va de pair avec celle des idées, d’intentions et de comportements qui constituent, au même titre que poèmes, romans ou pièces de théâtre, la spécificité des avant-gardes et qui sont parfois devenus monnaie courante, aujourd’hui, dans les beaux-arts et, même, dans la vie quotidienne. Complément des volumes publiés par Ulrich Weisstein (Expressionism as an International Literary Phenomenon) et Ana Balakian (The Symbolist Movement in the Literature of European Languages), l’ouvrage retrace l’une des aventures les plus passionnantes du siècle.
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Les Avant-gardes littéraires au XXe siècle
Editor(s): Jean WeisgerberMore LessLe présent ouvrage, composé de deux volumes, réunit la documentation la plus complète et variée qui existe à ce jour dans la matière. Conçu comme un authentique travail collectif, il examine les mouvements littéraires d’avant-garde de 1905–1910 à 1975 successivement sous les angles diachronique (histoire et typologie: vol. I) et synchronique (tendances esthétiques, genres et procédés, relation avec les beaux-arts, la science et la technique, perspectives sociologiques, réception critique: vol. II). Plus de cinquante auteurs, originaires d’une zone s'étendant de la Suède et de la Roumanie à l’Argentine et aux États-Unis, ont collaboré ici, axant leurs enquêtes sur des objectifs analogues, confrontant leurs résultats, résolvant nombre de problèmes, en soulevant d’autres, prospectant non seulement tous les pays d’Europe et d’Amérique, mais jusqu’à l’Afrique du Nord, le Proche-Orient et les Antilles. L’ensemble, complexe et fouillé, offre néanmoins une image cohérente du sujet, non point dogmatique, mais nuancée.
Comme l’exigeait la matière, l’analyse des textes va de pair avec celle des idées, d’intentions et de comportements qui constituent, au même titre que poèmes, romans ou pièces de théâtre, la spécificité des avant-gardes et qui sont parfois devenus monnaie courante, aujourd’hui, dans les beaux-arts et, même, dans la vie quotidienne. Complément des volumes publiés par Ulrich Weisstein (Expressionism as an International Literary Phenomenon) et Ana Balakian (The Symbolist Movement in the Literature of European Languages), l’ouvrage retrace l’une des aventures les plus passionnantes du siècle.
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Alfred den Store, Danmarks geografi
Author(s): Ove JørgensenI denne bog foretager forfatteren en undersøgelse af de fire afsnit i kong Alfreds The Old English Orosius, hvori gammelt dansk område beskrives.Efter en forskningsoversigt imødegås de forestillinger, som flere tidligere forskere har dannet sig om, at kong Alfred – navnlig i Skandinavien – har anvendt en nordretning, som afviger fra den astronomiske. Ud fra tværfaglige synspunkter følger forfatteren den opfattelse, at forholdet mellem sprog og omverden ikke nødvendigvis er vilkårligt, og der stilles mere indtrængende spørgsmål til de forekommende lokaliteters geografiske beliggenhed end i den hidtidige historiske litteratur.
Ved gennemgangen af teksten følges det system, som først er opstillet af Laborde i 1925, og det vises, at beskrivelsen af østfrankernes og oldsaksernes naboer samt af de nordiske folk kunne være resultatet af rejser, som er foretaget af to af de medarbejdere ved værket, som vi kender navnene på fra de skriftlige kilder (Grimbald og Johannes).
Efter en gennemgang af de to afsnit, der sædvanligvis omtales som 'Ottars og Wulfstans rejsebeskrivelser', vises det, at disse tekster snarere er resultatet af kong Alfreds redaktion af værket.
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Aviation Lore in Faulkner
Author(s): Robert Harrison and Calvin BrownWilliam Faulkner was an aviation cadet in Canada in the closing days of WW I. He later owned his own airplane, and even put on a few air shows. When he wrote of flying, as he often did, it was with a great deal of expertise but little concern for the edification of his readers. The result is that many of the five hundred or so passages dealing with aviation in his works are all but incomprehensible to the non-pilot. This work elucidates all the aeronautical references in Faulkner’s fiction and verse which might prove troublesome to the general reader. This monograph contains three main sections: An introduction to flight, designed especially for the non-technical reader and intended to provide enough background in aerodynamics and aircraft design to enable one to follow Faulkner’s argument intelligently; a brief biography of Faulkner as a pilot and aviation enthusiast; and a reader’s guide through the individual works in which aviation plays a part.
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Antigüedad y actualidad de Luis Vélez de Guevara
Editor(s): C. George PealeMore LessEsta colección de estudios críticos se ha compilado con el propósito de revalorar al genial comediógrafo del siglo XVII, Luis Vélez de Guevara (1579-1644), y, posiblemente, restablecerlo como figura de importancia en la historia del teatro español.
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Aspects of Góngora's 'Soledades'
Author(s): John R. BeverleyThis study of Góngora’s Soledades is intended to summarize and discuss some of the problems which seemed important for a better understanding of these poems. Special attention is paid to the two opposing ‘camps’ that developed over time; one mainly focussing on the form and the other on the content of Soledades. In this volume the authors tries to integrate the methods and results of both of the ‘camps’.
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Adolf Glassbrenner
Author(s): Heinz BulmahnAdolf Glassbrenner (1810–1876) was a German humorist and satirist. The aim of this study is to show that Glassbrenner’s writings were rooted within the abstract idealism of the Young Germans. Special focus lies on the period between 1840 and 1849, Glassbrenner’s most active writing period, and representing most closely the elements of Humor and Tendenz. This study is of interest to everyone who wants to know more about the ideas behind the writings of Adolf Glassbrenner, but also to those who want to make a first acquaintance with this famous German writer.
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The Architecture of Anna Karenina
Author(s): Elisabeth Stenbock-FermorWhen criticized about the lack of architecture in Anna Karenina, connecting the themes of Levin and Anna Karenina, Tolstoj disagreed: “The arches of the vault are brought together in such a way that it is even impossible to notice where the keystone is.” This book explores the architecture, attempting to trace the pattern of the invisible pillars that support the ‘arches’ on both side of the ‘vault’, leading to the discovery of the ‘keystone’ which Tolstoj tried so hard to keep invisible.
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