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oa 1.1.4. The nineteenth century

Textual studies in an age of abundance

image of 1.1.4. The nineteenth century

Classical textual theory based itself on the idea of an authorial manuscript which was almost always missing; but textual studies of the modern period, as theorised by McGann, face a different problem: not an insufficiency of data but a surfeit of it. In fact, not all nineteenth-century authors thought to preserve their manuscripts, but many did, and the abundance of material produced by this change in literary culture creates a whole new set of challenges for the textual scholar. Where does textual authority lie in a complex field of multiple texts, both in draft and in successive print editions?

References

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  29. Hopkins, Gerard Manley
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  32. Knight, William
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  33. Kelliher, Hilton
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  34. Lamb, Charles
    1929 Miscellaneous Essays and Sketches, ed. by William MacDonald , intro. by Robert Lynd . London: J. M. Dent.
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  35. Leader, Zachary
    1996 Revision and Romantic Authorship. Oxford: Clarendon Press. 10.1093/oso/9780198122647.001.0001
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  37. 1988 The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Oxford University Press.
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  38. Mahrer, Rudolf
    2017 “La plume après le plomb. Poétique de la réécriture des œuvres déjà publiées.” Genesis4: 17–38. 10.4000/genesis.1731
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  39. Millgate, Michael
    1992 Testamentary Acts. Browning, Tennyson, James, Hardy. Oxford: Oxford University Press.
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  40. Moore, Nancy Goslee
    2011 Shelley’s Visual Imagination. Cambridge: Cambridge University Press.
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  41. Mynors, R. A. B.
    1963 Catalogue of the Manuscripts of Balliol College Oxford. Oxford: Clarendon Press.
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  42. Norrington, A. L. P.
    1948 “Say Not the Struggle Nought Availeth.” InEssays Mainly on the Nineteenth Century Presented to Sir Humphrey Milford, 29–41. London: Oxford University Press.
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  43. Raven, Andrew
    2017 “In the Archives with Lamb, Shelley and D’Israeli: Romantic Attitudes to Literary Manuscripts and Draft Materials.” The Keats-Shelley Review31 (1): 87–93. 10.1080/09524142.2017.1297098
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    1967 Shelley at Work. A Critical Inquiry. 2nd edn. Oxford: Clarendon Press.
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  45. Rossetti, Christina
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  46. Stillinger, Jack
    1994 Coleridge and Textual Instability: The Multiple Versions of the Major Poems. New York; Oxford: Oxford University Press. 10.1093/oso/9780195085839.001.0001
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    2016 “Why do Authors Produce Textual Variation on Purpose? Or, Why Publish a Text That is Still Unfolding?” Variants12–13: 77–103. 10.4000/variants.322
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    1975 “Greg on Copy-Text and American Literature.” Studies in Bibliography28: 167–229.
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  50. 1976 “The Editorial Problem of Final Authorial Intention.” Studies in Bibliography29: 167–211.
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  51. 1981 “Recent Editorial Discussion and the Central Questions of Editing.” Studies in Bibliography34: 23–65.
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  52. [ Tennyson, Hallam
    ] 1897 Alfred, Lord Tennyson. A Memoir by his Son. 2vols. London: Macmillan.
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  53. Tennyson, Alfred Lord
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  54. 1987–93 The Tennyson Archive. 31vols, ed. by Christopher Ricks and Aidan Day . New York: Garland Pub.
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  55. Thorpe, James
    1972 Principles of Textual Criticism. San Marino, CA: Huntington Library.
     [Google Scholar]
  56. Tinker, C. B. , and H. F. Lowry
    1940 The Poetry of Matthew Arnold: A Commentary. Oxford: Oxford University Press.
     [Google Scholar]
  57. Valéry, Paul
    1957–60 Œuvres. 2vols, ed. by Jean Hytier . Paris: Gallimard.
     [Google Scholar]
  58. Van Hulle, Dirk
    2014 “Modelling a Digital Scholarly Edition for Genetic Criticism: A Rapprochement.” Variants12–13: 34–56.
     [Google Scholar]
  59. 2019 “Towards a Comparative History of the Literary Draft.” Archiv für das Studium der neueren Sprachen und Literaturen256: 1–17. 10.37307/j.1866‑5381.2019.01.02
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    1850 The Prelude, or Growth of a Poet’s Mind. London: Edward Moxon.
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  61. 1940–9 The Poetical Works of William Wordsworth. 5vols, ed. by E. de Selincourt and Helen Darbishire . Oxford: Clarendon Press.
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  62. 1959 The Prelude or Growth of a Poet’s Mind, ed. by Ernest de Selincourt , rev. by Helen Darbishire . Oxford: Oxford University Press.
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  63. 1977a  Home at Grasmere. Part First, Book First of The Recluse, ed. by Beth Darlington . Ithaca, NY: Cornell University Press.
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References

  1. Auden, W. H.
    2015 The Complete Works of W.H. Auden: Prose. Volume 5: 1963–1968, ed. by Edward Mendelson . London: Faber.
     [Google Scholar]
  2. Beaty, Jerome
    1960 Middlemarch from Notebook to Novel . A Study of George Eliot’s Creative Method. Urbana, IL: University of Illinois Press.
     [Google Scholar]
  3. Bell, H. I.
    1933 “The George Smith Memorial Bequest.” The British Museum Quarterly8 (2): 79–80. 10.2307/4421576
     https://doi.org/10.2307/4421576 [Google Scholar]
  4. De Biasi, Pierre-Marc
    1996 “What is a Literary Draft? Toward a Functional Typology of Genetic Documentation.” Yale French Studies89: 26–58. 10.2307/2930337
     https://doi.org/10.2307/2930337 [Google Scholar]
  5. Bowers, Fredson
    1964a “Some Principles of Scholarly Editions of Nineteenth-Century American Authors.” Studies in Bibliography17: 223–228.
     [Google Scholar]
  6. 1964b Bibliography and Textual Criticism. Oxford: Clarendon Press.
     [Google Scholar]
  7. Brontë, Charlotte
    1980 Jane Eyre, ed. by Margaret Smith , intro. by Juliette Atkinson . Oxford: Oxford University Press.
     [Google Scholar]
  8. Browning, Robert
    2009 The Poetical Works of Robert Browning volume XV, ed. by Stefan Hawlin , and Michael Meredith . Oxford: Clarendon Press.
     [Google Scholar]
  9. Bushell, Sally
    2009 Text as Process: Creative Composition in Wordsworth, Tennyson, and Dickinson. Charlottesville, VA: University of Virginia Press.
     [Google Scholar]
  10. Butler, Joseph
    1836 Fifteen Sermons Preached at the Rolls Chapel [etc.], intro. R. Cattermole . London: Joseph Rickerby.
     [Google Scholar]
  11. Butt, John , and Kathleen Tillotson
    1957 Dickens at Work. London: Methuen.
     [Google Scholar]
  12. Byron, [George Gordon, Baron
    ] 1980–93 Complete Poetical Works. 7vols, ed. by Jerome J. McGann and Barry Weller . Oxford: Clarendon Press.
     [Google Scholar]
  13. Coleridge, Samuel Taylor
    1956–71 The Collected Letters of Samuel Taylor Coleridge. 6vols, ed. by Earl Leslie Griggs . Oxford: Clarendon Press.
     [Google Scholar]
  14. 1975 Biographia Literaria, ed. by George Watson . London: Dent.
     [Google Scholar]
  15. Cross, J. W.
    1885 George Eliot’s Life, as Related in her Letters and Journals, Arranged and Edited by her Husband, J. W. Cross. 3vols. Edinburgh: Blackwood.
     [Google Scholar]
  16. Dickens, Charles
    2008 Great Expectations, ed. by Margaret Cardwell , intro. by Robert Douglas Fairhurst . Oxford: Oxford University Press. 10.1093/owc/9780199219766.001.0001
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     [Google Scholar]
  18. Eliot, George
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  19. 1986 Middlemarch, ed. by David Carroll . Oxford: Clarendon Press.
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  20. 1992 Middlemarch, ed. by David Carroll . Oxford: Clarendon Press.
     [Google Scholar]
  21. Gabler, Hans Walter
    1999 “Genetic Texts – Genetic Editions – Genetic Criticism or, Towards Discoursing the Genetics of Writing.” InProblems of Editing, ed. by Christa Jansohn , 59–78. Tübingen: Niemeyer. 10.1515/9783110939958.59
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  22. 2018 “The Draft Manuscript as Material Foundation for Genetic Editing and Genetic Criticism.” InText Genetics in Literary Modernism and Other Essays, 209–220. Cambridge: Cambridge University Press. 10.11647/OBP.0120.10
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  23. Gaskell, Elizabeth
    2009 The Life of Charlotte Bronte, ed. by Angus Easson . Oxford: Oxford University Press. 10.1093/owc/9780199554768.001.0001
     https://doi.org/10.1093/owc/9780199554768.001.0001 [Google Scholar]
  24. Gaskell, Philip
    1972 A New Introduction to Bibliography. Oxford: Clarendon Press.
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  25. 1999 From Writer to Reader: Studies in Editorial Method. Winchester: St Paul’s Bibliographies.
     [Google Scholar]
  26. Greg, W. W.
    1966 “The Rationale of Copy-Text.” InThe Collected Papers of Sir Walter W. Greg, ed. by J. C. Maxwell , 374–391. Oxford: Clarendon Press.
     [Google Scholar]
  27. Hardy, Thomas
    1982–95 The Complete Poetical Works of Thomas Hardy. 5vols, ed. by Samuel Hynes . Oxford: Clarendon Press.
     [Google Scholar]
  28. 1978–2012 The Collected Letters of Thomas Hardy. 8vols, ed. by Richard Little Purdy and Michael Millgate . Oxford: Clarendon Press.
     [Google Scholar]
  29. Hopkins, Gerard Manley
    1990 The Poetical Works of Gerard Manley Hopkins, ed. by Norman H. Mackenzie . Oxford: Oxford University Press.
     [Google Scholar]
  30. 2013 The Collected Works of Gerard Manley Hopkins, Correspondence. 2vols, ed. by R. K. R. Thornton and Catherine Phillips . Oxford: Oxford University Press.
     [Google Scholar]
  31. Housman, A. E.
    1997 The Poems of A.E. Housman, ed. by Archie Burnett . Oxford: Clarendon Press.
     [Google Scholar]
  32. Knight, William
    1897 “A Reminiscence of Tennyson.” Blackwood’s Edinburgh Magazine162: 264–270.
     [Google Scholar]
  33. Kelliher, Hilton
    1994 “The Kubla Khan Manuscript and its First Collector.” British Library Journal20 (2): 184–198.
     [Google Scholar]
  34. Lamb, Charles
    1929 Miscellaneous Essays and Sketches, ed. by William MacDonald , intro. by Robert Lynd . London: J. M. Dent.
     [Google Scholar]
  35. Leader, Zachary
    1996 Revision and Romantic Authorship. Oxford: Clarendon Press. 10.1093/oso/9780198122647.001.0001
     https://doi.org/10.1093/oso/9780198122647.001.0001 [Google Scholar]
  36. McGann, Jerome J.
    1983 A Critique of Modern Textual Criticism. Chicago: University of Chicago Press.
     [Google Scholar]
  37. 1988 The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Oxford University Press.
     [Google Scholar]
  38. Mahrer, Rudolf
    2017 “La plume après le plomb. Poétique de la réécriture des œuvres déjà publiées.” Genesis4: 17–38. 10.4000/genesis.1731
     https://doi.org/10.4000/genesis.1731 [Google Scholar]
  39. Millgate, Michael
    1992 Testamentary Acts. Browning, Tennyson, James, Hardy. Oxford: Oxford University Press.
     [Google Scholar]
  40. Moore, Nancy Goslee
    2011 Shelley’s Visual Imagination. Cambridge: Cambridge University Press.
     [Google Scholar]
  41. Mynors, R. A. B.
    1963 Catalogue of the Manuscripts of Balliol College Oxford. Oxford: Clarendon Press.
     [Google Scholar]
  42. Norrington, A. L. P.
    1948 “Say Not the Struggle Nought Availeth.” InEssays Mainly on the Nineteenth Century Presented to Sir Humphrey Milford, 29–41. London: Oxford University Press.
     [Google Scholar]
  43. Raven, Andrew
    2017 “In the Archives with Lamb, Shelley and D’Israeli: Romantic Attitudes to Literary Manuscripts and Draft Materials.” The Keats-Shelley Review31 (1): 87–93. 10.1080/09524142.2017.1297098
     https://doi.org/10.1080/09524142.2017.1297098 [Google Scholar]
  44. Rogers, Neville
    1967 Shelley at Work. A Critical Inquiry. 2nd edn. Oxford: Clarendon Press.
     [Google Scholar]
  45. Rossetti, Christina
    1979–90 The Complete Poems of Christina Rossetti: A Variorum Edition. 3vols, ed. by R. W. Crump . Baton Rouge, LA: Louisiana State University Press.
     [Google Scholar]
  46. Stillinger, Jack
    1994 Coleridge and Textual Instability: The Multiple Versions of the Major Poems. New York; Oxford: Oxford University Press. 10.1093/oso/9780195085839.001.0001
     https://doi.org/10.1093/oso/9780195085839.001.0001 [Google Scholar]
  47. Sullivan, Hannah
    2016 “Why do Authors Produce Textual Variation on Purpose? Or, Why Publish a Text That is Still Unfolding?” Variants12–13: 77–103. 10.4000/variants.322
     https://doi.org/10.4000/variants.322 [Google Scholar]
  48. Sutherland, Kathryn
    2012 “Jane Austen’s Dealings with John Murray and his Firm.” Review of English StudiesNS64: 105–126. 10.1093/res/hgs020
     https://doi.org/10.1093/res/hgs020 [Google Scholar]
  49. Tanselle, G. Thomas
    1975 “Greg on Copy-Text and American Literature.” Studies in Bibliography28: 167–229.
     [Google Scholar]
  50. 1976 “The Editorial Problem of Final Authorial Intention.” Studies in Bibliography29: 167–211.
     [Google Scholar]
  51. 1981 “Recent Editorial Discussion and the Central Questions of Editing.” Studies in Bibliography34: 23–65.
     [Google Scholar]
  52. [ Tennyson, Hallam
    ] 1897 Alfred, Lord Tennyson. A Memoir by his Son. 2vols. London: Macmillan.
     [Google Scholar]
  53. Tennyson, Alfred Lord
    1987 The Poems of Tennyson. 2nd edn. 2vols, ed. by Christopher Ricks . London: Longman.
     [Google Scholar]
  54. 1987–93 The Tennyson Archive. 31vols, ed. by Christopher Ricks and Aidan Day . New York: Garland Pub.
     [Google Scholar]
  55. Thorpe, James
    1972 Principles of Textual Criticism. San Marino, CA: Huntington Library.
     [Google Scholar]
  56. Tinker, C. B. , and H. F. Lowry
    1940 The Poetry of Matthew Arnold: A Commentary. Oxford: Oxford University Press.
     [Google Scholar]
  57. Valéry, Paul
    1957–60 Œuvres. 2vols, ed. by Jean Hytier . Paris: Gallimard.
     [Google Scholar]
  58. Van Hulle, Dirk
    2014 “Modelling a Digital Scholarly Edition for Genetic Criticism: A Rapprochement.” Variants12–13: 34–56.
     [Google Scholar]
  59. 2019 “Towards a Comparative History of the Literary Draft.” Archiv für das Studium der neueren Sprachen und Literaturen256: 1–17. 10.37307/j.1866‑5381.2019.01.02
     https://doi.org/10.37307/j.1866-5381.2019.01.02 [Google Scholar]
  60. Wordsworth, William
    1850 The Prelude, or Growth of a Poet’s Mind. London: Edward Moxon.
     [Google Scholar]
  61. 1940–9 The Poetical Works of William Wordsworth. 5vols, ed. by E. de Selincourt and Helen Darbishire . Oxford: Clarendon Press.
     [Google Scholar]
  62. 1959 The Prelude or Growth of a Poet’s Mind, ed. by Ernest de Selincourt , rev. by Helen Darbishire . Oxford: Oxford University Press.
     [Google Scholar]
  63. 1977a  Home at Grasmere. Part First, Book First of The Recluse, ed. by Beth Darlington . Ithaca, NY: Cornell University Press.
     [Google Scholar]
  64. 1977b The Prelude, 1798–1799, ed. by Stephen Parrish . Ithaca, NY: Cornell University Press.
     [Google Scholar]
  65. Wordsworth, Jonathan
    1992 “Revision as Making: The Prelude and Its Peers.” The Bucknell Review36: 85–109.
     [Google Scholar]

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