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4361 - 4375 of 4375 results
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La «cavalleria umanistica» italiana / The Italian “Humanistic Chivalry”
More LessThis book aims to contribute to the knowledge of the cultural and linguistic relations between Italy and the Crown of Aragon in the 15th century. In particular, it studies some relevant aspects of the chivalric romance entitled Curial e Guelfa, written in Italy around 1443-1448 in Catalan, but mainly Italian in spirit, sources and onomastics. It is probably the very first work of a genre known as “humanistic chivalry”, the epitome of which will be Ariosto’s Orlando furioso.
The literary context of Milan and Naples (The Three Crowns, Troubadour Lyrics, Humanism) is analyzed in the first part of the volume. It is this context that made possible the gestation of the Curial, an extraordinary anonymous romance, which was most likely written by the knight Enyego d’Àvalos (Inico d’Avalos), born in Toledo but raised in Valencia. The second part of the volume is devoted to the study of some lexical, stylistic and syntactic aspects of the Curial, which show the author's excellent knowledge of Catalan and the constant influence of Italian in the romance.
Questo libro si propone di contribuire alla conoscenza delle relazioni culturali tra l'Italia e la Corona d’Aragona nel XV secolo. In particolare, studia il romanzo dal titolo Curial e Güelfa, scritto in Italia intorno al 1443-1448, dotato di italianità, fonti e onomastica, ma scritto in catalano. È probabilmente la primissima opera di un genere noto come “cavalleria umanistica| , la cui epitome sarebbe l’Orlando Furioso dell’Ariosto.
Questo volume analizza il contesto letterario di Milano e Napoli che ha reso possibile questo straordinario romanzo anonimo, di cui conosciamo ormai con quasi assoluta certezza che il suo autore era Enyego o Inico d'Avalos. I contributi in questo volume approfondiscono alcuni degli aspetti lessicali, stilistici e sintattici di Curial e Güelfa, e mettono in evidenza l'eccellente conoscenza del catalano da parte del suo autore, nonché la presenza onnipresente della lingua italiana.
El libro pretende contribuir al conocimiento de las relaciones culturales entre Italia y la Corona de Aragón en el siglo XV. En concreto se ocupa de la novela Curial e Güelfa , gestada en Italia hacia 1443-1448, de espíritu, fuentes y onomástica principalmente italianos, pero redactada en lengua catalana. Es probablemente la manifestación más primeriza del género literario conocido como “caballería humanística”, que tendrá su punto culminante con el Orlando furioso, d’Ariosto.
Este volumen analiza el contexto literario de Milán y Nápoles que hizo posible esta extraordinaria novela anónima, de la que ahora sabemos con casi absoluta certeza que su autor fue Enyego o Inico d’Avalos. Las contribuciones de este volumen profundizan en algunos de los aspectos léxicos, estilísticos y sintácticos de Curial e Güelfa, y destacan el excelente conocimiento del catalán de su autor, así como la presencia omnipresente de la lengua italiana.
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À la recherche de la prédication
More LessUne thématique commune, le statut prédicatif de certains syntagmes prépositionnels dans différentes langues, fédère les dix études rassemblées dans le présent recueil qui tire son originalité du sujet lui-même. À ce jour, en effet, rares sont les études qui ont abordé la nature prédicative du syntagme prépositionnel. C’est d’autant plus inédit que ces syntagmes sont courants dans des structures comme les phrases à copule. Pour y parvenir, des chercheurs provenant d’horizons théoriques aussi variés que la grammaire de construction, le lexique-grammaire, la grammaire générative, la psychomécanique et la linguistique appliquée, examinent les aspects théoriques de ces syntagmes, sollicitent de vastes corpus ou encore confrontent le français et une autre langue (anglais, grec moderne, grec ancien, russe). De quoi intéresser non seulement la communauté des chercheurs travaillant en linguistique descriptive, mais aussi dans d’autres domaines, qu’il s’agisse de linguistique informatique, de linguistique contrastive ou de typologie des langues.
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L'Époque de la Renaissance (1400–1600)
More LessLa nouvelle culture (1480-1520) vient compléter la sous-série Renaissance de l’ « Histoire comparée des littératures de langues européennes », ce qui ne nuit en rien à sa vocation unique; car les quarante années, son objet, englobent un extraordinaire ensemble de développements culturels répondant au passé, tout en créant des visions nouvelles avec l’appui d’une multiplicité d’institutions, la réutilisation savante des langues anciennes, la prise en compte de pays nouvellement découverts. Dans tous les domaines de l’esprit: arts, sciences, visions du monde règne la soif de la découverte. Mais ce n’est pas au mépris du passé, au contraire; car la nouvelle culture se nourrit des réalisations et des leçons du passé. Elle est attentive à l’appel du présent tout en reconnaissant ses liens historiques que ce soit dans le domaine politique, poétique, esthétique, scripturaire, et de la pensée religieuse. Même entre opposants tels que Luther et Érasme s’institue un « colloque continu » animé par une aspiration commune à la vérité spirituelle et à un mode de vie politique et civique au sein duquel le passé nourrit et transforme le présent. Au cours des quarante années attribuées au volume présent, la Renaissance est opérante dans nombre de régions, pays, strates sociales, arts de vivre. Cette multiplicité d’instantanés invite le lectorat à percevoir en quoi les années 1480-1520 sont au cœur même du phénomène nommé Renaissance.
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L'Époque de la Renaissance (1400–1600)
More LessLe nouveau volume de la série Histoire comparée des littératures de langues européennes constitue lui-même la première partie d'un ensemble de quatre volumes. Ces volumes sont consacrés à une période de 200 ans qui dans l'histoire de la civilisation des peuples d'Europe porte le nom de Renaissance. Les premiers 80 ans de cette époque voient naître, dans un milieu encore empreint de la culture de la fin du moyen-âge, le nouvel esprit qui se nomme humanisme. L'équipe internationale des chercheurs qui ont écrit les chapitres du volume en observant strictement les points de vue de la méthode des recherches comparatives, a travaillé sous la direction des chefs de trois centres internationaux connus des études de la Renaissance: le Centre d'Etudes Supérieures de la Renaissance de Tours, le Centre de Recherches de la Renaissance de Budapest et la Chaire de français de l'Université McGill de Montréal. Il a résulté de cette entreprise collective un ouvrage volumineux qui rend compte des phénomènes les plus importants de cette phase de l'histoire de la culture européenne en les examinant dans un contexte international.This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer_epo.pdf
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L'Époque de la Renaissance (1400–1600)
More LessAu sein de la vaste entreprise qu'est l'Histoire comparée des littératures de langues européennes, la sous-série portant sur la Renaissance, dont fait partie le volume que voici, représente à plusieurs égards une gageure novatrice. La Renaissance a souvent et abondamment été étudiée comme transformation de la civilisation occidentale, en Italie avant tout, par la redécouverte de ses sources gréco-latines et l'absorption de celles-ci par la pensée et la culture contemporaines, et notamment par le christianisme post-médiéval. Certes, l'histoire déjà existante de divers pays d'Europe et de diverses aires linguistiques n'a pas manqué de prendre en compte les manifestations littéraires et artistiques de ces phénomènes. Mais il manquait une vision d'ensemble qui fût attentive aux multiples relations passées et présentes des oeuvres entre elles, au travers des frontières. C'est le but que se propose la sous-série Renaissance en tentant de décrire, dans toute sa complexité interlinguistique, interlittéraire, interculturelle et internationale l'époque qui s'étend de 1400 à 1610 (dates peut-être arbitraires mais fournissant du moins une hypothèse quant à la situation chronologique du phénomène Renaissance). Maturations et mutations (1520–60) explore cette tranche chronologique particulière, dans de multiples domaines de la culture et du littéraire au sein des cultures, en examinant une série de grandes réalisations de l'esprit humain telles qu'elles s'expriment, avec leurs ressemblances et leurs différences, en diverses langues européennes. Plutôt que d'imposer une notion arbitrairement unifiée de la Renaissance (parce qu'il est collectif, mais aussi parce que la multiplicité des survivances et des émergences défie toute généralisation) l'ouvrage que voici tente de saisir l'élan renaissant, là où il se présente, dans toute sa diversité et sa maturité.This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer_epo.pdf
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L'Époque de la Renaissance (1400–1600)
More LessL’Époque de la Renaissance. Crises et essors nouveaux (1560–1610), a collaborative literary history of the second half of the sixteenth century in Europe, responds to a number of challenges, including those critical of the Renaissance concept itself in favour of a broader Early Modern concept. It inventories the writings of its chosen time-span in the broadest cultural sense while remaining attentive to the strong aesthetic emphases and achievements that prevailed. In its descriptions of literary phenomena the book takes into account their diverse historical contexts throughout Europe, including eastern Europe, thus often stressing differences rather than conformities. Its main divisions encompass the new tendencies towards authoritarian orders; the major intellectual adventures and questionings; the latter phases of humanistic erudition; the development of studies of history and society which will become bases for social sciences; the immense flowering of scientifically oriented literature; the Europe of the Courts; “myths” new and old (e.g. the replacement of the Petrarchan beloved by a less unreal vision of woman); the moral crisis and its literary manifestations; the Mannerist aesthetic and its adversaries; the spiritual renewal. The book is dedicated to the memory of its first director, Tibor Klaniczay of the Hungarian Academy of Sciences.This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer_epo.pdf
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Über Beweise und Beweisarten bei Wilhelm Ockham
More LessDie Arbeit versucht über drei, eigens gekennzeichnete und für Wilhelm Ockham (1285–1347) ausgewiesene Beweisarten (Induktion, Überredungsbeweis, Widerlegungsbeweis), die in einer Fülle von Beispielen dokumentiert werden, die Begründung seiner z. T. berüchtigten oder unverstandenen Thesen in ihrer Gesamtheit darzulegen. Sie zeigt, dass alle bekannten Stichworte und Schlüsselwörter bzw. Maximen wie notitia intuitiva, Omnipotenzprinzip, Ökonomieprinzip, daneben technische Begriffe wie consequentia, ratio, Kontradiktion, suppositio und ontologische, darunter forma, substantia, accidens, species, qualitas, quantitas, materia, mit diesen Argumentationsweisen in Zusammenhang stehen, genauer: von ihnen abhängen. Es ergibt sich, dass Ockham jeweils sehr spezielle und inhaltlich äußerst begrenzte Beweisziele verfolgt, deren Gesamtgeflecht in einer großen Struktur besteht, für die ein normaler logischer Beweismodus nicht mehr gelten kann. Die reale Geltung von Sätzen und Begriffen ist für Ockham unbestritten, doch bestreitet er, dass eine solche Annahme aus dem Verhältnis der Begriffe und danach der Aussagen abgeleitet werden könne. Er widerlegt die scholastischen Thesen, die das besagten.
There are three kinds of demonstration (induction, persuasion, and disproof) to be found in the writings of William Ockham (1285-1347) which are the base of his theses (opiniones) so often attacked or misunderstood in ancient and modern times. Famous key words such as intuitive cognition, the principles of omnipotence and economy, side by side with technical terms as consequentia, ratio, contradictio, suppositio, and ontological ones like forma, substantia, accidens, species, qualitas, quantitas, materia, and equally Ockham’s counter-arguments against Aristotelian and scholastic maxims essentially depend on these types of ratiocination. Ockham’s many proofs are especially ingenious and they generally have wide and unexpected consequences for reasoning. But the common pattern of deduction has been abandoned. While he acknowledges the validity of propositions and notions in the physical world Ockham denies that it can be proved as a statement for its own. Sometimes he even refutes it as a corollary of philosophical misconceptions.
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'Über den Umlaut: Zwei Abhandlungen' (Carlsruhe, 1843) and 'Über den Ablaut' (Carlsruhe, 1844)
More LessÜber den Umlaut (1843) and Über den Ablaut (1844) grew out of a review of Grimm’s Deutsche Grammatik by Holtzmann, in which he also made an excursus into Bopp’s theory of vowel gradation in Sanskrit. Holtzmann was the first to observe the correlation of guṇa and accent. At the same time he noted that loss (or absence) of the accent could mean loss or shortening of a vowel. Observations which, be it in a different form, eventually found their way into a unified theory of Indo-European vowel gradation.
The two German texts are presented here in fac simile format, together with an introductory article.
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Über die Sprache und Weisheit der Indier
More LessThis volume presents a fac simile edition of Friedrich Schlegel’s Über die Sprache und Weisheit der Indier. Ein Beitrag zur Begründung der Altertumskunde (Heidelberg, 1808). It is preceded by an introductory article by Sebastiano Timpanaro ‘Friedrich Schlegel and the beginnings of Indo-European linguistics in Germany’.
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‘Kubla Khan’ – Poetic Structure, Hypnotic Quality and Cognitive Style
More LessThis book endorses Coleridge's statement: "nothing can permanently please which does not contain in itself the reason why it is so". It conceives 'Kubla Khan' as of a hypnotic poem, in which the "obtrusive rhythms" produce a hypnotic, emotionally heightened response, giving false security to the "Platonic Censor", so that our imagination is left free to explore higher levels of uncertainty. Critics intolerant of uncertainty tend to account for the poem's effect by extraneous background information. The book consists of three parts employing different research methods. Part One is speculative, and discusses three aspects of a complex aesthetic event: the verbal structure of 'Kubla Khan', validity in interpretation, and the influence of the critic's decision style on his critical decisions. The other two parts are empirical. Part Two explores reader response to gestalt qualities of rhyme patterns and hypnotic poems in perspective of decision style and professional training. Part Three submits four recordings of the poem by leading British actors to instrumental investigation.
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The ‘Noun Phrase’ across Languages
More LessThe ‘NP’ is one of the least controversial grammatical units that linguists work with. The NP is often assumed to be universal, and appears to be robust cross-linguistically (compared to ‘VP’ or even ‘clause’) in that it can be manipulated in argument positions in constructed examples. Furthermore, for any given language, its internal structure (order and type of modifiers) tends to be relatively fixed. Surprisingly, however, the empirical basis for ‘NP’ has never been established. The chapters in this volume examine the NP in everyday interactions from diverse languages, including little-studied languages as well as better-researched ones, in a variety of interactional settings. Together, these chapters show that cross-linguistically, the category NP is not as robust as has been assumed: in the context of temporally unfolding human interaction, its structural status is constantly negotiated in terms of participants’ evolving social agendas.
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“All families and genera”
More Less“All families and genera”: Exploring the Corpus of English Life Sciences Texts aims at exploring scientific writing in late Modern English. This volume is the fourth of its kind devoted to the analysis of the relations between language and different scientific disciplines from 1700 to 1900. Here, forty texts on biology and related fields as compiled in the Corpus of English Life Sciences Texts (CELiST) constitute the basis for the fifteen studies describing scientific discourse on methodological issues, the period and the status of the discipline itself as well as pilot studies.
CELiST is accompanied by an updated version of the Coruña Corpus Tool (CCT), a purpose-designed software. Both the tool and the corpus are freely accessible at the Repositorio Universidade Coruña: CCT at http://hdl.handle.net/2183/21850and CELiST at https://ruc.udc.es/dspace/handle/2183/25720(DOI: https://doi.org/10.17979/spudc.9788497497848).
The book is addressed to an international readership. It is of interest for university libraries as well as other academic institutions/societies and individual scholars specialised in corpus linguistics and historical linguistics all over the world.
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“And he knew our language”
More LessThis ambitious and ground-breaking book examines the linguistic studies produced by missionaries based on the Pacific Northwest Coast of North America (and particularly Haida Gwaii) during the late nineteenth and early twentieth centuries. Making extensive use of unpublished archival materials, the author demonstrates that the missionaries were responsible for introducing many innovative and insightful grammatical analyses. Rather than merely adopting Graeco-Roman models, they drew extensively upon studies of non-European languages, and a careful exploration of their scripture translations reveal the origins of the Haida sociolect that emerged as a result of the missionary activity. The complex interactions between the missionaries and anthropologists are also discussed, and it is shown that the former sometimes anticipated linguistic analyses that are now incorrectly attributed to the latter. Since this book draws upon recent work in theoretical linguistics, religious history, translation studies, and anthropology, it emphasises the unavoidably interdisciplinary nature of Missionary Linguistics research.
As of January 2019, this e-book is freely available, thanks to the support of libraries working with Knowledge Unlatched.
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“Appelle-moi Pierrot”
More LessThe present study uses modern Molière criticism as a way of understanding Mme de Sévigné. In both Molière and Mme de Sévigné there is evidence of esprit or wit, that intellectual facility which perceives contrasts. Moliéresque critical theory would call this perception the "Imposteur" technique. As the opening lines of Molière's Lettre sur l'Imposteur propose, it is a "discours du ridicule" where ridicule is defined as the incongruous and the unreasonable. This notion depends on an act of intelligent judgement of what actually constitutes the normatively reasonable, and consequently, it presupposes the same perspective on the part of the reader/spectator. Implicit to both irony and ridicule is the complementarity necessary between the giver and the receiver of the message. The application of moliéresque critical theory to the Correspondance of Mme de Sévigné can contribute to a renewed appreciation of the highly intellectual quality of the comic genius of a "spirituelle marquise," a mother who desperately wanted to entice a distanced daughter to regularity in an epistolary exchange, a woman of wit and irony.
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“Self” in Language, Culture, and Cognition
More LessThis book explores socio-cultural meanings of ‘self’ in the Chinese language through analysing a range of conversations among Chinese immigrants to Australia qualitatively on the topics of individuality, social relationships and collective identity. If language, culture and cognition are major roads, this book is the junction that unites them by arguing that selfhood occurs at their interface. It provides an interdisciplinary approach to unpack manifestations and perceptions of ‘self’ in the contemporary Chinese diaspora discourse from the perspectives of Sociolinguistics, Cognitive Linguistics and the newly developed Cultural Linguistics. This book not only discusses empirical and theoretical issues on the conceptualisation and communication of social identity in a cross-cultural context, it also reveals how traditional and modern ideas in Chinese culture are interacting with those of other world cultures. Considering the power of language, enduring and emerging beliefs and stances that permeate these speakers’ views on their social being and outlooks on life impart their significance in cross-cultural communication and pragmatics.
As of January 2023, this e-book is freely available, thanks to the support of libraries working with Knowledge Unlatched.
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