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Critical Theory (vols. 1–11, 1985–1993)
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Critical Theory (vols. 1–11, 1985–1993)
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Collection Contents
2
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Theory of Performing Arts
Author(s): André Helbon recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.
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Translating Poetic Discourse
Author(s): Myriam Díaz-DiocaretzTranslating Poetic Discourse argues in favor of a critical model that bridges between translation and women’s studies on theoretical and practical levels. It proposes key-elements to be integrated into the problem of interpretation of contemporary poetry by women, and discusses the links between gender markers and the speech situation in feminist discourse as a systematic problem.
This book will be of interest to scholars of Translation Studies, Women’s Studies, Poetry, Comparative Literature and Discourse.
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