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Dialogue Studies (vols. 1–27, 2007–2015)
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Dialogue Studies (vols. 1–27, 2007–2015)
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Communicating Certainty and Uncertainty in Medical, Supportive and Scientific Contexts
Editor(s): Andrzej Zuczkowski, Ramona Bongelli, Ilaria Riccioni and Carla CanestrariMore LessThis volume is a collection of 18 papers on the communication of certainty and uncertainty. The first part introduces recent theoretical developments and general models on the topic and its relations with modality, subjectivity, inter-subjectivity, epistemicity, evidentiality, hedging, mitigation and speech acts. In the second part, results from empirical studies in medical and supportive contexts are presented, all of which are based on a conversational analysis approach. These papers report on professional dialogues including advice giving in gynecological consultations, breaking diagnostic bad news to patients, emergency calls, addiction therapeutic community meetings and bureaucratic-institutional interactions. The final part concerns the qualitative and quantitative analysis of corpora, addressing scientific writing (both research and popular articles) and academic communication in English, German, Spanish and Romanian. The collection is addressed to scholars concerned with the topical issues from a theoretical and analytical perspective and to health professionals interested in the practical implications of communicating certainty or uncertainty.
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Communicational Criticism
Author(s): Roger D. SellFurther developing the line of argument put forward in his Literature as Communication (2000) and Mediating Criticism (2001), Roger D. Sell now suggests that when so-called literary texts stand the test of time and appeal to a large and heterogeneous circle of admirers, this is because they are genuinely dialogical in spirit. Their writers, rather than telling other people what to do or think or feel, invite them to compare notes, and about topics which take on different nuances as seen from different points of view. So while such texts obviously reflect the taste and values of their widely various provenances, they also channel a certain respect for the human other to whom they are addressed. So much so, that they win a reciprocal respect from members of their audience. In Sell’s new book, this ethical interplay becomes the focus of a post-postmodern critique, which sees literary dialogicality as a possible catalyst to new, non-hegemonic kinds of globalization. The argument is illustrated with major reassessments of Shakespeare, Pope, Wordsworth, Dickens, Churchill, Orwell, and Pinter, and there are also studies of trauma literature for children, and of ethically oriented criticism itself.
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