Purdue University Monographs in Romance Languages (vols. 1–42, 1980–1992)
/content/collections/jbe-2015-pumrl
Purdue University Monographs in Romance Languages (vols. 1–42, 1980–1992)
OK
Cancel
Collection Contents
-
-
Figures of the Text
More LessThe works of Jean de La Fontaine have invited an extraordinary variety of readings in the three centuries since their composition. By engaging selected fables and tales with contemporary notions of intertextuality, reader reception theory, and grammatology, Figures of the Text raises questions about what “reading La Fontaine” meant in the 17th century, and what it means today. The study integrates a theory of reading and a theory of textual production by drawing attention to those aspects of the text that figure writing and reading, for instance: scenes of reading; other modes of writing (emblems, hieroglyphics); inscriptions and epitaphs; proper names; and citation (proverbs, maxims, allusions); the relation of represented orality to textuality, of textuality to corporeality, and of textuality to the visual arts (ekphrasis); and the archaeology of textual figures, such as labyrinths, textiles, and veils.
-
-
-
Flaubert's Straight and Suspect Saints
More LessIsrael Pelletier argues that Trois contes demands a different kind of reading which distinguishes it from Madame Bovary and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of Un Coeur, an assessment of Saint Julien as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of Hérodias as an autobiography of the writing process.
-
-
-
The Fabliaux
More LessThis is an interesting book that provides a sane analysis of the relation between form and meaning in the fabliaux. It will henceforth be standard reading for those dealing with what nevertheless remains one of the most problematic genres of Old French Literature for the modern scholar.Keith Busby, Speculum — A Journal of Medieval Studies, Jan. 1990
-
-
-
The Films of Alain Robbe-Grillet
More LessAlain Robbe-Grillet (1922 –2008) was a French writer and filmmaker. His first involvement with the cinema was in the early 1960’s; scripting one of the most controversial films of the decade, L’Année dernière à Marienbad , directed by Alain Resnais.
In this study the focus lies on the cinema of Robbe-Grillet . Each chapters deals with a specific film and a specific aspect of his work.
-