Subject collection: Semiotics (98 titles, 1967–2015)

The contributions to Iconic Investigations deal with linguistic or literary aspects of language. While some studies analyze the cognitive structures of language, others pay close attention to the sounds of spoken language and the visual characteristics of written language. In addition this volume also contains studies of media types such as music and visual images that are integrated into the overall project to deepen the understanding of iconicity – the creation of meaning by way of similarity relations. Iconicity is a fundamental but relatively unexplored part of signification in language and other media types. During the last decades, the study of iconicity has emerged as a vital research area with far-reaching interdisciplinary scope and the volume should be of interest for students and researchers interested in scholarly fields such as semiotics, cognitive linguistics, conceptual metaphor studies, poetry, intermediality, and multimodality.

Insistent Images presents a number of new departures dealing with iconicity on the conceptual and the structural levels. On the level of structure, the interface between different aspects of iconicity, lexical meaning and grammar is discussed in reference to both spoken and signed languages. Novel approaches to aural iconicity investigate a wide range of phenomena from phonological iconicity to the role of iconic features in discourse, in the nineteenth century practice of reading aloud, in the almost magic incantations of fin de siècle poetry and in Tolkien’s invented languages. Several papers examine the function of iconicity in visual and avant-garde poetry, where iconic features allow a reduction of means, which, paradoxically, generates textual diversification and complexity. A discussion of iconic text strategies shows how texts are comprehended through iconic holistic transfer from complex natural and action patterns. ‘Liberature’, which integrates text, image and physical space, is another novel area of study, as are the investigations into the iconic properties of film and of multimedia performance. Film is intrinsically iconic, while at the same time being, like photography, indexical; in multimedia performance, on the other hand, iconicity functions intermedially by both integrating and reflecting processes of perception and conceptualization. These last two new fields of inquiry further enhance this truly interdisciplinary volume’s explorations of icons as ‘insistent images’.

This volume provides a new kind of contrastive analysis of two unrelated languages — English and Hebrew — based on the semiotic concepts of invariance, markedness and distinctive feature theory. It concentrates on linguistic forms and constructions which are remarkably different in each language despite the fact that they share the same familiar classifications and labels. Tobin demonstrates how and why traditional and modern syntactic categories such as grammatical number; verb tense, aspect, mood and voice; conditionals and interrogatives; etc., are not equivalent across languages. It is argued that these so-called universal concepts function differently in each language system because they belong to distinct language-specific semantic domains which are marked by different sets of semantic features. The data used in this volume have been taken from a wide range of both spoken and written discourse and texts reflecting people's actual use of language presented in their relevant linguistic and situational contexts.