2017 collection (152 titles)
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2017 collection (152 titles)
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Collection Contents
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Free Indirect Style in Modernism
show More to view fulltext, buy and share links for: show Less to hide fulltext, buy and share links for:Free Indirect Style (FIS) is a linguistic technique that defies the logic of human subjectivity by enabling readers to directly observe the subjective experiences of third-person characters. This book consolidates the existing literary-linguistic scholarship on FIS into a theory that is based around one of its most important effects: consciousness representation. Modernist narratives exhibit intensified formal experimentation and a heightened concern with characters’ conscious experience, and this provides an ideal context for exploring FIS and its implications for character consciousness. This book focuses on three novels that are central to the Modernist canon: Virginia Woolf’s To the Lighthouse, D.H. Lawrence’s The Rainbow and James Joyce’s Ulysses. It applies the revised theory of FIS in close semantic analyses of the language in these narratives and combines stylistics with literary criticism, linking interpretations with linguistic features in distinct manifestations of the style.
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Focus on Additivity
show More to view fulltext, buy and share links for: show Less to hide fulltext, buy and share links for:The present volume is centered on the notional domain of additivity. Many linguistic phenomena are based on additivity (i.e. are incremental) and additive relations are a mechanism that underlies a wide array of text types. Specifically, the present volume is centered on the class of function words which have been labeled, among many others, Additive Focusing Modifiers (FMs). The chapters gathered in this volume deal with the syntactic, prosodic and pragmatic properties of Additive FMs and new lines of research on these items are pursued, including (i) the historical development of Additive FMs and the use of these forms in older stages of the European languages; (ii) the pragmatic and sociolinguistic properties of Additive FMs, in particular of the functions they play in discourse and their distribution in different language varieties; (iii) the processing of Additive FMs by adults, in particular by relying on reading experiments involving eye tracking and self-paced reading; (iv) the use of Additive FMs in language contact situations and (v) the acquisition of Additive FMs by different learner groups.
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From Superman to Social Realism
show More to view fulltext, buy and share links for: show Less to hide fulltext, buy and share links for:Can children’s media be a source of education and empowerment? Or is the commercial media market a threat to their sense of social and democratic values? Such questions about the appropriateness children’s media consumption have recurred in public debates throughout the twentieth century. From Superman to Social Realism provides an exciting new approach to the study of children’s media and childhood history, drawing on the theories of cross-media consumption and transnational history. Based on extensive Scandinavian source material, it explores public debates about children’s media between 1945 and 1985. Readers are taken on a fascinating journey through debates about superheroes in the 1950s, politicization of children’s media in the 1960s, and about television and social realism in the 1980s. Arguments are firmly contextualized in Scandinavian childhood and welfare history, an approach that demonstrates why professional and political groups have perceived children’s media as the key to the enculturation of future generations.
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