The subtitling of offensive and taboo language into Spanish of Inglourious Basterds

References

1. Ávila-Cabrera. José J
   2013 “Subtitling Multilingual Films: The Case of Inglourious Basterds”. RAEL: Revista Electrónica de Lingüística Aplicada12: 87–100. [dialnet.unirioja.es/servlet/articulo?codigo=4648324].
   [Google Scholar]
2. Ávila Cabrera , José J
   2014 The Subtitling of Offensive and Taboo Language: A Descriptive Study. Ph.D. dissertation. Universidad Nacional de Educación a Distancia.
3. Ávila-Cabrera, José J
   2015 “An Account of the Subtitling of Offensive and Taboo Language in Tarantino’s Screenplays”. Sendebar26: 37–56. [revistaseug.ugr.es/index.php/sendebar/article/view/2501/3789].
   [Google Scholar]
4. Allan, Keith , and Kate Burridge
   1991 Euphemism and Dysphemism: Language Used as Shield and Weapon. Oxford and New York: Oxford University Press.
   [Google Scholar]
5. Allen, Irving L
   1983 The Language of Ethnic Conflict: Social Organization and Lexical Culture. New York: Columbia University Press.
   [Google Scholar]
6. Azzaro, Gabriele
   2005 Four-Letter Films: Taboo Language in Movies. Rome: Aracne.
   [Google Scholar]
7. Bucaria, Chiara
   2009 “Translation and Censorship on Italian TV: An Inevitable Love Affair?” VIAL: Vigo International Journal of Applied Linguistics6: 13–32.
   [Google Scholar]
8. Chaume, Frederic
   2004 Cine y traducción. Madrid: Cátedra.
   [Google Scholar]
9. Creswell, John W
   2003 Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (2nd edn). Thousand Oaks (CA): Sage.
   [Google Scholar]
10. Dalzell, Tom , and Terry Victor
    2008 The Concise New Partridge Dictionary of Slang and Unconventional English (8th edn). London and New York: Routledge.
    [Google Scholar]
11. Díaz Cintas, Jorge
    2001a La traducción audiovisual: el subtitulado. Salamanca: Almar.
    [Google Scholar]
12. Díaz Cintas, Jorge
    2001b “Sex, (Sub)Titles and Videotapes”. InTraducción subordinada II: el subtitulado (inglés – español/galego), ed. by Lourdes Lorenzo García and Ana M. Pereira Rodríguez , 47–67. Vigo: Universidad de Vigo.
    [Google Scholar]
13. Díaz Cintas, Jorge
    2012 “Clearing the Smoke to See the Screen: Ideological Manipulation in Audiovisual Translation.” Meta57 (2): 279–293. [id.erudit.org/iderudit/1013945ar]. doi: 10.7202/1013945ar
    https://doi.org/10.7202/1013945ar [Google Scholar]
14. Díaz Cintas, Jorge , and Aline Remael
    2007 Audiovisual Translation: Subtitling. Manchester: St Jerome Publishing.
    [Google Scholar]
15. Fernández Fernández, M. Jesús
    2006 “Screen Translation. A Case Study: The Translation of Swearing in the Dubbing of the Film South Park into Spanish”. Translation Journal10 (3). [www.bokorlang.com/journal/37swear.htm]
    [Google Scholar]
16. Filmer, Denise
    2014 “The ‘gook’ goes ‘gay’. Cultural Interference in Translating Offensive Language”. Intralinea15. [www.intralinea.org/archive/article/the_gook_goes_gay].
    [Google Scholar]
17. Greenall, Annjo K
    2011 “The Non-Translation of Swearing in Subtitling: Loss of Social Implicature?” InAudiovisual Translation in Close-up: Practical and Theoretical Approaches, ed. by Adriana Şerban , Anna Matamala , and Jean-Marc Lavaur , 45–60. Bern: Peter Lang.
    [Google Scholar]
18. Hughes, Geoffrey
    2006 An Encyclopedia of Swearing: The Social History of Oaths, Profanity, Foul language, and Ethnic Slurs in the English-Speaking World. New York and London: M.E. Sharpe.
    [Google Scholar]
19. Jay, Timothy B
    1980 “Sex Roles and Dirty Word Usage: A Review of the Literature and a Reply to Haas”. Psychological Bulletin88 (3): 614–621. [www.mcla.edu/Undergraduate/uploads/textWidget/1457.00013/documents/jay2.pdf]. doi: 10.1037/0033‑2909.88.3.614
    https://doi.org/10.1037/0033-2909.88.3.614 [Google Scholar]
20. Jay, Timothy B
    2009 “The Utility and Ubiquity of Taboo Words”. Perspectives on Psychological Science4 (2): 153–161. doi: 10.1111/j.1745‑6924.2009.01115.x
    https://doi.org/10.1111/j.1745-6924.2009.01115.x [Google Scholar]
21. Lung, Rachel
    1998 “On Mis-Translating Sexually Suggestive Elements in English-Chinese Screen Subtitling”. Babel44 (2): 97–109. doi: 10.1075/babel.44.2.02lun
    https://doi.org/10.1075/babel.44.2.02lun [Google Scholar]
22. McEnery, Tony
    2006 Swearing in English. Bad Language, Purity and Power from 1586 to the Present. London and New York: Routledge.
    [Google Scholar]
23. Robson, Colin
    2011 Real World Research: A Resource for Users of Social Research Methods in Applied Settings (3rd edn). Chichester: Wiley.
    [Google Scholar]
24. Scandura, Gabriela L
    2004 “Sex, Lies and TV: Censorship and Subtitling.” Meta49 (1): 125–134. [id.erudit.org/iderudit/009028ar]. doi: 10.7202/009028ar
    https://doi.org/10.7202/009028ar [Google Scholar]
25. Soler Pardo, Betlem
    2011 Swearing and Translation: A Study of the Insults in the Films of Quentin Tarantino. Ph.D. dissertation. Universitat de València.
    [Google Scholar]
26. Spears, Richard A
    2000 NTC’s Dictionary of American Slang and Colloquial Expressions. Illinois: NTC.
    [Google Scholar]
27. Toury, Gideon
    1980 In Search of a Theory of Translation. Tel Aviv: Porter Institute.
    [Google Scholar]
28. Vinay, Jean-Paul , and J. Jean Dalbernet
    1995 “A Methodology for Translation”. InThe Translation Studies Reader (2nd edn), ed. by Lawrence Venuti , 84–93. London and New York: Routledge.
    [Google Scholar]
29. Wajnryb, Ruth
    2005 Expletive Deleted: A Good Look at Bad Language. New York: Free Press.
    [Google Scholar]
30. Flor de mi secreto, La[Flower of My Secret, The]. Directed by Pedro Almodóvar. Spain: CiBy 2000, and El Deseo S.A., 1995 103 min.
    [Google Scholar]
31. Gran Torino. Directed by Clint Eastwood. USA: Matten Productions, Double Nickel Entertainment, Gerber Pictures, Malpaso Productions, Media Magik Entertainment, Village Roadshow Pictures, WV Films IV, and Warner Bros 2008 116 min.
    [Google Scholar]
32. Inglourious Basterds. Directed by Quentin Tarantino. USA and Germany: Universal Pictures, The Weinstein Company, A Band Apart, Zehnte Babelsberg, and Visiona Romantica 2009 155 min.
    [Google Scholar]
33. South Park. Bigger, Longer & Uncut. Directed by Trey Parker. USA: Comedy Central Films, Comedy Partners, Paramount Pictures, Scott Rudin Productions, and Warner Bros 1999 81 min.
    [Google Scholar]