1887
Volume 8, Issue 2
  • ISSN 1874-8767
  • E-ISSN: 1874-8775
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Abstract

In her novel Sorry (2007), Australian novelist and essayist Gail Jones engages in a reflection on the ethics of reconciliation. Written in response to her wish to acknowledge the debt to the Stolen Generations, Sorry offers new possibilities of ethical mourning, allowing the dead to return and the voiceless to speak. This article explores the ways in which Jones not only fashions a narrative that bypasses the unsayable dimension of Australia’s history and the representational difficulties inherent in trauma but also fosters the empathetic imagination through a metadiscursive discussion of the act of reading. Self-referentiality and self-reflexivity are also examined, as they allow Jones to draw attention to her novel’s writerly elaborations and offer an alternative to standard reconciliation practices.
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/content/journals/10.1075/etc.8.2.01bel
2015-01-01
2019-09-16
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References

http://instance.metastore.ingenta.com/content/journals/10.1075/etc.8.2.01bel
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  • Article Type: Research Article
Keyword(s): Gail Jones , metatextuality , representation , silence and Sorry
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