Translation and canon formation

References

1. Barmé, G.
   1979 “Chaotou Wenxue – China’s New Literature.” The Australian Journal of Chinese AffairsNo.2: 137–148. 10.2307/2158736
   https://doi.org/10.2307/2158736 [Google Scholar]
2. Duke, M. S.
   1990 The Problematic Nature of Modern and Contemporary Chinese Fiction in English Translation. In: Goldblatt, H. (ed) Worlds Apart: Recent Chinese Writing and Its Audiences. New York, NY: M. E. Sharpe. 198–227. 10.1007/978‑94‑009‑1962‑4
   https://doi.org/10.1007/978-94-009-1962-4 [Google Scholar]
3. Duke, M. S.
   1991 Walking toward the World: A Turning Point in Contemporary Chinese Fiction. World Literature TodayVol.65. No.3. 389–394.
   [Google Scholar]
4. Even-Zohar, I.
   1990 Polysystem Studies. Poetics TodayNo.1. 1–262.
   [Google Scholar]
5. Farquhar, M. A.
   1999 Children’s Literature in China: From Lu Xun to Mao Zedong. Armonk, NY: M. E. Sharpe.
   [Google Scholar]
6. Gentzler, E.
   2001 Contemporary Translation Theories. Shanghai: Shanghai Foreign Language Education Press.
   [Google Scholar]
7. Goldblatt, H.
   2000 Translator’s Note. InGoldblatt, H. (trans.) Republic of Wine. New York: Arcade Publishing. v–vi.
   [Google Scholar]
8. Goldblatt, H.
   2004 Introduction. In: Goldblatt, H. (trans.). Big Breasts and Wide Hips. New York: Arcade Publishing. vii–xii.
   [Google Scholar]
9. Hermans, T.
   2004 Translation in Systems: Descriptive and System-oriented Approaches Explained. Shanghai: Shanghai Foreign Language Education Press.
   [Google Scholar]
10. Hong, Z.
    2009 A History of Contemporary Chinese Literature. Trans.Michael M. Day. Leiden, The Netherlands: Brill.
    [Google Scholar]
11. Hsia, C. T.
    1971 A History of Modern Chinese Fiction. New Haven: Yale University Press.
    [Google Scholar]
12. Hsia, C. T.
    1981 Introduction. In: Joseph S. M. Lau, C. T. Hsia and Leo Ou-fan Lee, (eds) Modern Chinese Stories and Novellas 1919–1949. New York, NY: Columbia University Press. xiii–xxvii. 10.7312/lau‑92016‑002
    https://doi.org/10.7312/lau-92016-002 [Google Scholar]
13. Innes, C.
    1991 Foreword. In: Ronald R. Janssen & Jian Zhang (trans) Old Floating Cloud: Two Novellas. Evanston, Illinois: Northwestern University Press. ix–xvii.
    [Google Scholar]
14. Jones, A. F.
    2003 Translator’s Afterword. In: Andrew F. Jones (trans) Chronicle of a Blood Merchant: A Novel. New York: Pantheon Books. 253–263.
    [Google Scholar]
15. Lefevere, A.
    2004 Translation, Rewriting and the Manipulation of Literary Fame. Shanghai: Shanghai Foreign Language Education Press.
    [Google Scholar]
16. Lefevere, A.
    2007 Translation and Canon Formation: Nine Decades of Drama in the United States. In: Alvarez, R. (ed) Translation, Power, Subversion. Beijing: Foreign Language Teaching and Research Press. 138–155.
    [Google Scholar]
17. Leung, C. K.
    1993 Review of Turbulence. World Literature TodayVol.67. No.1. 232–233. 10.2307/40149033
    https://doi.org/10.2307/40149033 [Google Scholar]
18. Li, Q.
    2000 Searching for Roots: Anticultural Return in Mainland Chinese Literature of the 1980s. InPang-yuan Chi and David Der-wei Wang (eds) Chinese Literature in the Second Half of A Modern Century: A Critical Survey (pp.110–123). Bloomington: Indiana University Press.
    [Google Scholar]
19. Link, P.
    1983 Introduction. In: Link, P. (ed) Stubborn Weeds: Popular and Controversial Chinese Literature after the Cultural Revolution. Bloomington: Indiana University Press. 1–27.
    [Google Scholar]
20. Link, P.
    2012 Does This Writer Deserve the Prize? The New York Review of Books. www.nybooks.com/articles/2012/12/06/mo-yan-nobel-prize/ (accessedMay 24, 2018).
21. Louie, K.
    1989 Between Fact and Fiction: Essays on Post-Mao Chinese Literature & Society. Broadway: Wild Peony.
    [Google Scholar]
22. McDougall, B. S.
    2011 Translation Zones in Modern China. New York, NY: Cambria Press.
    [Google Scholar]
23. Mo, Y.
    2001 Preface Hunger and Loneliness: My Muses. In: Goldblatt, H. (trans) Shifu, You’ll Do Anything for a Laugh. New York: Arcade Publishing. vii–xix.
    [Google Scholar]
24. Ng, J.
    1996 Review of Strange Tales from Strange Lands: Stories by Zheng Wanlong. Chinese Literature: Essays, Articles, Reviews (CLEAR)No.18. 217–219.
    [Google Scholar]
25. Wang, Der-wei. David
    1992 Fictional Realism in Twentieth-Century China: Mao Dun, Lao She, Shen Congwen. New York: Columbia University Press.
    [Google Scholar]
26. Wang, N.
    2004a Canon Formation, or Literary Revisionism: The Formation of Modern Chinese Literary Canon. NeoheliconNo.2. 161–174.
    [Google Scholar]
27. Wang, N.
    2004b Globalizing Chinese Literature: toward a Rewriting of Contemporary Chinese Literary Culture. Journal of Contemporary ChinaVol.13. No.38. 53–68. 10.1080/1067056032000151337
    https://doi.org/10.1080/1067056032000151337 [Google Scholar]
28. Wang, N.
    2010a Rethinking Modern Chinese Fiction in a Global Context. NeoheliconNo.37. 319–327. 10.1007/s11059‑009‑0036‑y
    https://doi.org/10.1007/s11059-009-0036-y [Google Scholar]
29. Wang, N.
    2010b World Literature and the Dynamic Function of Translation. Modern Language QuarterlyVol.71. No.1. 1–14. 10.1215/00267929‑2009‑019
    https://doi.org/10.1215/00267929-2009-019 [Google Scholar]
30. Wang, N. and Ross, C.
    2016 Contemporary Chinese Fiction and World Literature. Modern Fiction StudiesVol.62. No.4. 579–589. 10.1353/mfs.2016.0053
    https://doi.org/10.1353/mfs.2016.0053 [Google Scholar]
31. Williams, F. C. P.
    2001 Twentieth-Century Fiction. In: Victor, H. M. (ed) The Columbia History of Chinese Literature. New York: Columbia University Press. 732–757.
    [Google Scholar]
32. Yang, X.
    2002 White Tiger: An Autobiography of Yang Xianyi. Hong Kong: Chinese University Press.
    [Google Scholar]
33. Zhao, Y. H. Henry
    1993 Introduction: The New Waves in Recent Chinese Fiction. In: Zhao, Y. H. (ed) The Lost Boat: Avant-garde Fiction from China. London: Wellsweep Press. 9–18.
    [Google Scholar]