1887
Volume 23 Number 1
  • ISSN 0142-5471
  • E-ISSN: 1569-979X

Abstract

The Anti-Eviction Mapping Project is an example of critical visualization practice that interrogates both its own conditions of production and how who is represented is also affected by the representations. In order to describe and analyze this form of practice the notion of assemblage as well as tools from actor-network theory are employed. These concepts allow the researcher or designer to consider how visualizations operate beyond its existence as a discrete representation but rather as a process that weaves a network of humans and non-humans together which is especially relevant to a critical engagement in information visualization practice.

This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 license. For any use beyond this license, please contact the publisher at [email protected]
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/content/journals/10.1075/idj.23.1.04dav
2017-01-01
2019-10-19
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References

http://instance.metastore.ingenta.com/content/journals/10.1075/idj.23.1.04dav
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