Problems with universal metrics

References

1. Aroui, Jean-Louis
   (2009) Towards a Typology of Poetic Forms: From language to metrics and beyond. Philadelphia: John Benjamins Publishing Company. 10.1075/lfab.2
   https://doi.org/10.1075/lfab.2 [Google Scholar]
2. Asano, Makiko
   (2002) “Studies in Japanese prosody.” Ph.D. Diss., Harvard University.
3. Blumenfeld, Lev
   (2016) “Generative Metrics: An Overview.” Language and Linguistics Compass10/91: 413–430. 10.1111/lnc3.12204
   https://doi.org/10.1111/lnc3.12204 [Google Scholar]
4. Bowers, Faubion
   (1996) The Classic Tradition of Haiku: An Anthology. New York: Dover Publications.
   [Google Scholar]
5. Chen, Matthew Y.
   (1979) “Metrical Structure: Evidence from Chinese Poetry”. Linguistic Inquiry101, 371–420.
   [Google Scholar]
6. Cole, Deborah, and Miyashita, Mizuki
   (2006) “The Function of Pauses in Metrical Studies: Acoustic Evidence from Japanese Verse.” InFormal Approaches to Poetry: Recent Development in Metrics, 173–192. Berlin, Germany: Mouton de Gruyter. 10.1515/9783110197624.5.173
   https://doi.org/10.1515/9783110197624.5.173 [Google Scholar]
7. Doi, Kōchi 土居光知
   (1949) “Shikeiron” 詩形論. InBungaku josetsu文学序説. Tokyo: Iwanami Shoten.
   [Google Scholar]
8. Duanmu, San
   (2004) “A corpus study of Chinese regulated verse: phrasal stress and the analysis of variability.” Phonology21(1): 43–89. 10.1017/S0952675704000132
   https://doi.org/10.1017/S0952675704000132 [Google Scholar]
9. Duanmu, San 端木三
   (2016) Yinbu he Zhongyin音步和重音 [Foot and Stress]. Beijing: Beijing Language and Culture University Press.
   [Google Scholar]
10. Duanmu, San, and Stiennon, Nathan
    (2005) “Tonal Patterns in Chinese Regulated Verse: A Corpus Study.” Taiwan Journal of Linguistics3.1: 1–31.
    [Google Scholar]
11. Fabb, Nigel, and Halle, Morris
    (2008) Meter in Poetry: A New Theory. Cambridge: Cambridge University Press. 10.1017/CBO9780511755040
    https://doi.org/10.1017/CBO9780511755040 [Google Scholar]
12. Frellesvig, Bjarke
    (2010) A History of the Japanese language. New York: Cambridge University Press. 10.1017/CBO9780511778322
    https://doi.org/10.1017/CBO9780511778322 [Google Scholar]
13. Fujikawa, Naoya
    (2020) “Bimoraicity and Feet in Japanese.” Ph.D. Diss., University Konstanz.
14. Gasparov, Mikhail L.
    (1987) “A probability model of verse (English, Latin, French, Italian, Spanish, Portuguese).” Style21(3). 322–58.
    [Google Scholar]
15. Golston, Chris, and Tomas Riad
    (2000) “The phonology of Classical Greek meter.” Linguistics381: 99–167. 10.1515/ling.38.1.191
    https://doi.org/10.1515/ling.38.1.191 [Google Scholar]
16. Halle, Morris, and Keyser, Samuel. J.
    (1971) English stress: its form, its growth, and its role in verse. New York: Harper & Row.
    [Google Scholar]
17. Hammond, Michael
    (1991) “Poetic Meter and the Arboreal Grid.” Language67(2): 240–259. 10.1353/lan.1991.0055
    https://doi.org/10.1353/lan.1991.0055 [Google Scholar]
18. Haraguchi, Shosuke
    (1996) Syllable, Mora, and Accent. InOtake, Takashi and Cutler, Anne (eds.), Phonological Structure and Language Processing: Cross-Linguistic Studies, 45–76. New York: Mouton de Gruyter. 10.1515/9783110815825.45
    https://doi.org/10.1515/9783110815825.45 [Google Scholar]
19. Hayes, Bruce
    (1983) A grid-based theory of English meter. Linguistic Inquiry131: 227–276.
    [Google Scholar]
20. Hayes, Bruce
    (1988) “Metrics and phonological theory” InNewmeyer, Frederick J. (ed.), Linguistics: The Cambridge Survey, 220–249. Cambridge: Cambridge University Press. 10.1017/CBO9780511621055.013
    https://doi.org/10.1017/CBO9780511621055.013 [Google Scholar]
21. Hsieh, Daniel
    (1998) The Origin and Nature of the “Nineteen Old Poems.” Sino-platonic Papers771.1–49.
    [Google Scholar]
22. Ito, Junko, and Mester, Armin
    (1992) Weak Layering and Word Binarity. InHonma, Takeru, Okazaki Masao, Tabata, Toshiyuki, and Tanaka, Shin-ichi (eds.), A New Century of Phonology and Phonological Theory. A Festschrift for Professor Shosuke Haraguchi on the Occasion of His Sixtieth Birthday, 26–65. Tokyo: Kaitakusha.
    [Google Scholar]
23. Ito, Junko, and Mester, Armin
    (1995) Japanese phonology. InJapanese phonology. The handbook of phonological theory, 818–838. Oxford: Wiley-Blackwell.
    [Google Scholar]
24. Ito, Junko, and Mester, Armin
    (1996) Stem and word in Sino-Japanese. InPhonological structure and language processing: Cross-linguistic studies, 13–44. Berlin: Mouton de Gruyter. 10.1515/9783110815825.13
    https://doi.org/10.1515/9783110815825.13 [Google Scholar]
25. Ito, Junko, and Mester, Armin
    (2003) “Japanese morphophonemics: Markedness and word structure.” Linguistic Inquiry Monograph411, xii+303. 10.7551/mitpress/4014.001.0001
    https://doi.org/10.7551/mitpress/4014.001.0001 [Google Scholar]
26. Jakobson, Roman
    (1960) “Linguistics and Poetics.” InT. Sebeok (ed.), Style in Language, 350–377. Cambridge: Massachusetts Institute of Technology Press.
    [Google Scholar]
27. Jakobson, Roman
    (1970) “The Modular Design of Chinese Regulated Verse.” InÉchanges et communications. The Hague and Paris: Mouton. 10.1515/9783111560168‑044
    https://doi.org/10.1515/9783111560168-044 [Google Scholar]
28. Jespersen, Otto
    (1933) “Notes on meter.” Linguistica, 249–74. Copenhagen: Levin & Munksgaard.
    [Google Scholar]
29. Kawamoto, Kōji
    (2000) The Poetics of Japanese Verse: Imagery, Structure, Meter (Collington, Stephen & Collins, Kevin & Heldt, Gustavtrans.). Tokyo: University of Tokyo Press.
    [Google Scholar]
30. Kiang, Kang-Hu
    (1929) The Jade Mountain: A Chinese Anthology, Being Three Hundred Poems of the T’ang Dynasty, 618–906. (Bynner, Wittertrans.). New York: Knopf.
    [Google Scholar]
31. Kern, Adam L.
    (2018) The Penguin Book of Haiku. London: Penguin Random House.
    [Google Scholar]
32. Kiparsky, Paul
    (1973) “The Role of Linguistics in a Theory of Poetry.” Language as a Human Problem102 (3): 231–244.
    [Google Scholar]
33. Kiparsky, Paul
    (1975) “Stress, Syntax, and Meter.” Language51 (3): 576–616. 10.2307/412889
    https://doi.org/10.2307/412889 [Google Scholar]
34. Kiparsky, Paul
    (1977) “The Rhythmic Structure of English Verse.” Linguistic Inquiry8 (2): 189–247.
    [Google Scholar]
35. Kiparsky, Paul
    (2020) Stress, meter, and text-setting. InChen Aoju and Carlos Gussenhoven (eds.), The Oxford Handbook of Language Prosody, 657–675. Oxford: Oxford University Press.
    [Google Scholar]
36. Kirikoshi, Mai 桐越舞
    (2011) “Inbun no gengo rizumi ni kansuru jikken onseigaku teki kenkyū” 韻文の言語リズムにみられる韻律フレーム型 [An Experimental Phonetic Study regarding the Rhythm of Poetic Language]. Hokkaidō gengo bunka kenkyū北海道言語文化研究91: 31–45.
    [Google Scholar]
37. Kubozono, Haruo
    (1998) “On the Universality of Mora and Syllable.” Journal of the Phonetic Society of Japan2 (1): 5–15.
    [Google Scholar]
38. Kubozono, Haruo
    (1999) Mora and syllable. InTsujimura, Natsuko (2014) An Introduction to Japanese Linguistics, 31–61. Hoboken: Wiley- Blackwell.
    [Google Scholar]
39. Kubozono, Haruo
    (2009) The Syllable as a Unit of Prosodic Organization in Japanese. InFéry, Caroline and Vijver, ven de Ruben (eds.), The Syllable in Optimality Theory, 99–122. Cambridge: Cambridge University Press.
    [Google Scholar]
40. Labrune, Laurence
    (2012) “Questioning the university of the syllable: evidence from Japanese.” Phonology291, 113–152. 10.1017/S095267571200005X
    https://doi.org/10.1017/S095267571200005X [Google Scholar]
41. Levý, Jiří
    (1971) “The Development of Rhyme-Scheme and of Syntactic Pattern in the English Renaissance Sonnet.” https://digilib.phil.muni.cz/_flysystem/fedora/pdf/120426.pdf
42. Liberman, Mark
    (1975) “The Intonational System of English.” PhD diss., Massachusetts Institute of Technology.
43. Liberman, Mark, and Prince, Alan
    (1977) “On Stress and Linguistic Rhythm.” Linguistic Inquiry8 (2): 249–336.
    [Google Scholar]
44. Martin, Gore
    (2007) “Vowel Sequences in Poetry – Occurrence in Japanese–.” Bulletin of the Faculty of Education, Kagoshima University, Cultural and social science591: 155–159.
    [Google Scholar]
45. McCawley, James D.
    (1965) “The Accentual System of Standard Japanese.” PhD. Diss., Massachusetts Institute of Technology.
46. McCawley, James D.
    (1968) The phonological component of a grammar of Japanese. The Hague: Mouton.
    [Google Scholar]
47. Mehl, Scott
    (2022) The End of Meter in Modern Japanese Poetry. Ithaca: Cornell University Press.
    [Google Scholar]
48. Mōri, Masamori 毛利正守
    (1998) “Kodai nihongo ni okeru jiamari datsuraku o ronjite onsetsukōzō ni oyobu: Manyō (waka) to senmyo o tōshite” 古代日本語に於ける字余り・脱落を論じて音節構造に及ぶ-萬葉(和歌)と宣命を通して- [On Jiamari and Jitarazu and the Syllable Structure of Old Japanese through Waka and Imperial Edict]. Kokugo to Kokubungaku国語と国文学75(5):119–130.
    [Google Scholar]
49. Ozawa, Minoru
    (2021) Well-Versed: Exploring Modern Japanese Haiku. Tokyo: Japan Publishing Industry Foundation for Culture.
    [Google Scholar]
50. Prince, Alan, and Smolensky, Paul
    (1993) Optimality Theory: Constraint Interaction in Generative Grammar (Technical Report no. RuCCS-TR-2). New Brunswick, NJ: Rutgers University Center for Cognitive Science.
    [Google Scholar]
51. Ripley, Stephen
    (1980) “Some findings on tone patterns in Tang regulated verse.” Journal of Chinese Linguistics8.1: 126–148.
    [Google Scholar]
52. Ryan, Kevin M.
    (2019) Prosodic Weight: Categories and Continua. Oxford: Oxford University Press. 10.1093/oso/9780198817949.001.0001
    https://doi.org/10.1093/oso/9780198817949.001.0001 [Google Scholar]
53. Sagara, Moriji 相良守次
    (1931) Nohon Shika no Rizumu日本詩歌のリズム [The Rhythm of Japanese Poetry]. Tokyo: Kyoiku Kenkyukai.
    [Google Scholar]
54. Sakano, Nobuhiko 坂野信彦
    (1978) “Naze goon shichionka: onsūkitei no nazo wo toku” なぜ五音・七音か音数規定の謎を解く [Principles of Syllabic Regularity in Japanese Poetry]. Chukyo University Bulletin of the Faculty of Liberal Arts19(2): 396–406.
    [Google Scholar]
55. Sakano, Nobuhiko 坂野信彦
    (1992) “Waka keishiki no seiritsu ni tsuite no shiron”和歌形式の成立についての試論. [A Theory of the Waka Form]. Gakkai学海81: 17–26.
    [Google Scholar]
56. Sakano, Nobuhiko 坂野信彦
    (1998) Shichigo chō no nazo wo toku- Nihongo rizumu ganron七五調の謎を解くー日本語リズム原論 [Solve the mystery of seven ad five sounds- a theory of the rhythm of Japanese language]. Tokyo: Taishūkan Shoten.
    [Google Scholar]
57. Sato, Yasushi
    (2013) “The Syllable is Not a Universal Prosodic Unit-a case of Japanese.” The MGU Journal of Liberal Arts Studies: Karuchuru7 (1): 39–51.
    [Google Scholar]
58. Shibata, Chikako 柴田知薫子
    (2018) “Predictable Evolution of Japanese Phonology” 日本語の音韻変化を予測する. Annual report of the Faculty of Education, Gunma University, Cultural science series671: 129–137.
    [Google Scholar]
59. Song, Chengqing, and Zhang, Hongming
    (2013) “A New Approach to Chinese Poetic Prosody: The Case of Pair-wise Tonal Contrasts in Three Yongming Collections.” Chinese Literature: Essays, Articles, Reviews371: 67–112.
    [Google Scholar]
60. Song, Chenqing, and Zhang, Hongming
    (2015) Tonal Prosody in Yongming Style Poems. Tianjin: Nankai University Press.
    [Google Scholar]
61. Starr, Rebecca Lurie, and Shih, Stephanie S.
    (2017) “The syllable as a prosodic unit in Japanese lexical strata: Evidence from text-setting.” Glossa: a journal of general linguistics2 (1): 931.1–34. 10.5334/gjgl.355
    https://doi.org/10.5334/gjgl.355 [Google Scholar]
62. Takayama, Michiaki 高山倫明
    (2006) “Onsetsukōzō to jiamariron” 音節構造と字余り論 [The Structure of Syllable and the Theory of Jiamari]. Gobun kenkyū語文研究 (100–101): 203–217.
    [Google Scholar]
63. Takayama, Michiaki 高山倫明
    (2018) “Jiamari hōsoku shōkō.” 字余り法則小考 [Research about the rule of Jiamari Lines]. Gobun Kenkyū語文研究1261: 18–32.
    [Google Scholar]
64. Tarlinskaja, Marina, and L. M. Teterina
    (1974) Verse – prose – metre. Linguistics1291. 63–86. 10.1515/ling.1974.12.129.63
    https://doi.org/10.1515/ling.1974.12.129.63 [Google Scholar]
65. Tawara, Takumi 俵匠見
    (2021) “Poetry Rhythm with Excess Syllables in Modern Tanka” 現代短歌の字余りとリズムについての考察. Proceedings of Language Resources Workshop61: 2–14.
    [Google Scholar]
66. Wang, Li 王力
    (1958) Hanyu shilüxue漢語詩律學. [Study on Chinese poetic prosody]. Shanghai: Shanghai Education Publishing House.
    [Google Scholar]
67. Wang, Li 王力
    (2009) Shici gelü詩詞格律 [Meter of Poetry]. Beijing: Zhonghua Shuju.
    [Google Scholar]
68. Xue, Ping
    (1989) “Prosodic Constituents and the Tonal Structure of Chinese Regulated Verse.” Linguistic Inquiry20(4): 688–696.
    [Google Scholar]
69. Yip, Moira J.
    (1980) The Tonal Phonology of Chinese, PhD diss., MIT, Cambridge, Massachusetts.
70. Zhang, Hongming 張洪明
    (1987a) “Hanyu jinti shi shenglü moshi de wuzhi jichu” 漢語近體詩聲律模式的物質基礎 [The Property of Tonal Prosody in Recent Style Poetry]. Social Sciences in China41: 185–196.
    [Google Scholar]
71. Zhang, Hongming 張洪明
    (1987b) “Yuyan de duibi yu shilü de bijiao” 語言的對比與詩律的比較 [A Comparison of Languages and Their Poetic Meters]. Fudan xuebao復旦學報41: 51–56.
    [Google Scholar]
72. Zhang, Hongming 張洪明
    (2014) “Yunlü yinxixue yu hanyu yunlü yanjiu zhong de ruogan wenti” 韻律音系學與漢語韻律研究中的若干問題 [Some Issues on Prosodic Phonology and Chinese Prosodic Studies]. Dangdai Yuyanxue當代語言學31: 303–327.
    [Google Scholar]
73. Zhang, Hongming
    (2015) “On the Origin of Chinese Tonal Prosody: Argumentation from a Case Study of Shen Yue’s Poems.” Journal of Chinese Literature and Culture2(2): 347–379. 10.1215/23290048‑3324140
    https://doi.org/10.1215/23290048-3324140 [Google Scholar]
74. Zhang, Hongming
    (2017a) Syntax-Phonology Interface: Argumentation from Tone Sandhi in Chinese Dialects. London & New York, NY: Routledge.
    [Google Scholar]
75. Zhang, Hongming
    (2017b) E ASIAN 741 Chinese Syntax and Morphology. Sring 2017, University of Wisconsin-Madison. Class handout.
    [Google Scholar]
76. Zhang, Hongming
    (2018) E ASIAN 932 Seminar in Chinese Linguistics. Fall 2018, University of Wisconsin-Madison. Class handout.
    [Google Scholar]
77. Zhang, Hongming 張洪明
    (2019) “Shiwen yinsong de kuayuyan liju” 詩文吟誦的跨語言理據 [Reciting and Chanting of Versification from a Cross-linguistic Perspective] In Shi, Zhongmou 施仲謀 and Liao Xian 廖先 (eds.), Langsong yu Langsong jiaoxue xintan朗誦與朗誦教學新探1–21, Hongkong: Shangwu Yinshuguan.
    [Google Scholar]
78. Zhang, Hongming 張洪明 and Li, Wenjing 李雯靜
    (2011) “Yu Xin wuyan shi shenglü kaocha: erxiang jianyan zai hanyu shilü zhong de anli yanjiu“ 庾信五言詩聲律考察: 二項檢驗在漢語詩律中的案例研究 [The Tonal Prosody in Yu Xin’s Pentasyllabic Poems: the Application of the Binomial Test in a Case Study of Chinese Poetic Prosody]. Wenxue yu wenhua41: 66–76.
    [Google Scholar]
79. Zhang, Hongming and Song, Chenqing
    (2013) “Some Issues in the Study of Chinese Poetic Prosody.” Breaking Down the Barriers: Interdisciplinary Studies in Chinese Linguistics and Beyond (Special issue): 1149–1171.
    [Google Scholar]