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Abstract

This study examines offers in the , an Old Saxon gospel harmony, using a combined form-to-function and function-to-form approach. Offers are also classified according to speech representation mode and role configuration to assess how recipient agency and illocutionary force are shaped in discourse. A key finding is that offers appear both in Direct Speech () and in Narrative Representation of Speech Acts (), showing how the poem exploits different representational strategies to frame this speech act. In , offers generally retain their performative force and remain negotiable, even without real-time interaction, though some hybrid cases reduce this immediacy. In , by contrast, negotiability is reduced, with some instances highlighting deliberate refusal whilst others present acceptance or rejection as fixed outcomes. Within the itself, this attenuates their interactive quality, yet in comparison with the the same framing often sharpens volitional elements and foregrounds recipient responsibility more explicitly than its source. By representing religious devotion as an exchange requiring active acceptance, the adapts not only the lexicon but also pragmatic framing, making offers an additional tool for aligning Christian teaching with Saxon cultural models of lordship-based exchange of service and reward.

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2026-05-11
2026-06-07

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Offers in the Old Saxon Hêliand
John Benjamins ; https://doi.org/10.1075/jhp.25013.con
/content/journals/10.1075/jhp.25013.con
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  • Article Type: Research Article
Keywords: speech acts ; speech representation ; historical pragmatics ; Old Saxon ; offers

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