From religious performances to martial themes

References

1. Adib-Moghaddam, Arshin
   2007 “Inventions of the Iran-Iraq War.” Critique: Critical Middle Eastern Studies, 16 (1): 63–83.
   [Google Scholar]
2. Aghaie, Kamran S.
   2004 The Martyrs of Karbala: Shi’i Symbols and Rituals in Modern Iran. Seattle: University of Washington Press.
   [Google Scholar]
3. Ahangaran, Sadegh
   2011 Memories and Eulogies of Hajj Sadegh Ahangaran During Years of Sacred Defence. Tehran: Ya Zahra Publications (in Persian).
   [Google Scholar]
4. Bauman, Robert
   1993 “Disclaimers of Performance.” InResponsibility and Evidence in Oral Discourse, ed. byJ. H. Hill and J. T. Irvine. 182–196. New York: Cambridge University Press.
   [Google Scholar]
5. Billig, Michael
   2000 Rock’n’Roll Jews. Nottingham: Five Leaves Publications.
   [Google Scholar]
6. Blommaert, Jan
   2005 Discourse: A Critical Introduction. Cambridge: Cambridge University Press. 10.1017/CBO9780511610295
   https://doi.org/10.1017/CBO9780511610295 [Google Scholar]
7. Bohlman, P.
   2003 “Music and Culture: Historiographies of Disjuncture.” InThe Cultural Study of Music: A Critical Introduction, ed. byM. Claytron, T. Herbert, and R. Middleton. 45–56. New York and London: Routledge.
   [Google Scholar]
8. Bush, John J.
   2006 The Songs that Fought the War: Popular Music and the Home Front, 1939–1945. Hanover and London: Brandeis University Press.
   [Google Scholar]
9. Carr-Wilcoxson, Amanda Marie
   2010 “Protest Music of the Vietnam War: Description and Classification of Various Protest Songs.” Electronic Theses and Dissertations. Paper 1686.
   [Google Scholar]
10. Chelkowski, Peter, and Hamid Dabashi
    1999 Staging A Revolution. New York: New York University Press.
    [Google Scholar]
11. Chouliaraki, Lilie, and Fairclough, Norman
    1999 Discourse in Late Modernity: Rethinking Critical Discourse Analysis. Edinburgh: Edinburgh University Press.
    [Google Scholar]
12. Cook, David
    2007 Martyrdom in Islam. Cambridge: Cambridge University Press. 10.1017/CBO9780511810688
    https://doi.org/10.1017/CBO9780511810688 [Google Scholar]
13. Cooke, Deryck
    1959 Language of Music. Oxford: Clarendon paperbacks.
    [Google Scholar]
14. De Cillia, Rudolf, Martin Reisigl, and Ruth Wodak
    1999 “The Discursive Construction of National Identity.” Discourse and Society, 10 (2): 149–173. doi:  10.1177/0957926599010002002
    https://doi.org/10.1177/0957926599010002002 [Google Scholar]
15. Eriksson, Goran
    2015 “Ridicule as a Strategy for the Recontextualization of the Working Class: A Multimodal Analysis of Class-making on Swedish Reality Television.” Critical Discourse Studies, 12(1): 20–38. doi: 080/17405904.2014.962067
    https://doi.org/080/17405904.2014.962067 [Google Scholar]
16. Fakhr-Rohani, Mohammad R.
    (2014) “Ashura.” InIslamic Images and Ideas; Essays on Sacred Symbolism, ed. byJ. A. Morrow, 228–251. North Carolina, London: McFarland and Company, Inc.
    [Google Scholar]
17. Fast, Susan, and Pegley, Kip
    (eds) 2012 Music, Politics and Violence. Middletown, CT: Wesleyan University Press.
    [Google Scholar]
18. Fischer, Michael M. J.
    1980 Iran: From Religious Dispute to Revolution. Cambridge, London: Harvard University Press.
    [Google Scholar]
19. Frith, Simon, and Street, J.
    1992 “Rock against Racism and Red Wedge: From Music to Politics, from Politics to Music”. InRockin’ the Boat: Mass Music and Mass Movement. ed. byR. Garofalo, 67–80. Boston, MA: South End Press.
    [Google Scholar]
20. Ghaffari, Soudeh
    2016 The Discursive construction of religious Eulogies and sociocultural changes in Iran (1979–2009) (Unpublished doctoral dissertation). Lancaster University, Lancaster.
    [Google Scholar]
21. Ghaffari, Soudeh
    2019 Identity, Social Media and Religion; (De)Legitimization of Identity Construction Through the Language of Religion. InParticipatory Digital Cultures and Contemporary Discourse of (De)Legitimisation. Ed. byA. Ross and D. Rivers, 326–344. London: Routledge.
    [Google Scholar]
22. Grant, Morag, and Stone Davis, Ferdia
    (eds) 2013 The Soundtrack to Conflict: The Role of Music in Radio Broadcasting in Wartime and in Conflict Situations. Hildesheim: Georg Olms Verlag.
    [Google Scholar]
23. Gray, Louise
    2010 “Can Music Kill?”. Index on Censorship. 39(3): 112–120. 10.1177/0306422010379686
    https://doi.org/10.1177/0306422010379686 [Google Scholar]
24. Hatina, Meir
    2014 Martyrdom in Modern Islam: Piety, Power and Politics. New York: Cambridge University Press. 10.1017/CBO9781107477827
    https://doi.org/10.1017/CBO9781107477827 [Google Scholar]
25. Halliday, Michael A. K.
    1985 An Introduction to Functional Grammar. London: Edward Arnold.
    [Google Scholar]
26. Hesam-Mazaheri, Mohsen
    2006 “Mourning in Shiite”. InReligious News Two Monthly Newsletter, Special Issue; Mourning in Religions. Tehran: Institute for Interreligious Dialogue Pub., 4(1) 40–47 (in Persian).
    [Google Scholar]
27. Hesmondhalgh, David, and Negus, Keith
    2002 “Popular Music Studies: Meanings, Power and Value”, InPopular Music Studies. Ed. byDavid Hesmondhalgh and Keith Negus. 1–10. London: Arnold.
    [Google Scholar]
28. KhosraviNik, Majid
    2015 Discourse, Identity and Legitimacy: Self and Other in Representations of Iran’s Nuclear Programme. Amsterdam, Philadelphia: John Benjamins Publishing Company. 10.1075/dapsac.62
    https://doi.org/10.1075/dapsac.62 [Google Scholar]
29. Khosronejad, Pedram
    2012 “Introduction.” InIranian Sacred Defence Cinema: Religion, Martyrdom and National Identity, ed. byP. Khosronejad, 1–57. Wantage: Kingston.
    [Google Scholar]
30. King, Ryan
    2007 The Iran-Iraq War: The Political Implications. New York: Routledge.
    [Google Scholar]
31. Kress, Gunter, and van Leeuwen, Theo
    2001 Multimodal discourse: the modes and media of contemporary communication. London: Hodder Education.
    [Google Scholar]
32. Krzyżanowski, Michał
    2016 “Recontextualisation of Neoliberalism and the Increasingly Conceptual Nature of Discourse: Challenges for Critical Discourse Studies.” Discourse & Society, 27 (3): 308–321. doi:  10.1177/0957926516630901
    https://doi.org/10.1177/0957926516630901 [Google Scholar]
33. Lakoff, Robin T.
    2000 The Language of War. Berkeley: University of California Press.
    [Google Scholar]
34. Latifpour, Yahya
    2001 The Political Culture of Shi’a and Islamic Revolution. Tehran: The Institute of Islamic Revolution Documents (In Persian).
    [Google Scholar]
35. Lorraine, Leu
    2006 “Music and National Culture: Pop Music and Resistance in Brazil”. Portuguese Cultural Studies1(1):36–44. doi:  10.7275/R5ZW1HV0
    https://doi.org/10.7275/R5ZW1HV0 [Google Scholar]
36. Lynskey, Dorian
    2010 33 revolutions per minute: a history of protest songs. London: Faber.
    [Google Scholar]
37. Machin, David
    2013 “What Is Multimodal Critical Discourse Studies?” Critical Discourse Studies10 (4): 347–355. doi:  10.1080/17405904.2013.813770
    https://doi.org/10.1080/17405904.2013.813770 [Google Scholar]
38. Machin, David
    2010 Analysing Popular Music. London: Routledge.
    [Google Scholar]
39. Machin, David, and van Leeuwen, Theo
    2005 “Computer games as political discourse: the case of Black Hawk Down.” Journal of Language and Politics4 (1): 119–141. doi:  10.1075/jlp.4.1.06mac
    https://doi.org/10.1075/jlp.4.1.06mac [Google Scholar]
40. Machin, David, and John E. Richardson
    2012 “Discourses of Unity and Purpose in the Sounds of Fascist Music: A Multimodal Approach.” Critical Discourse Studies, 9 (4): 329–345. doi:  10.1080/17405904.2012.713203
    https://doi.org/10.1080/17405904.2012.713203 [Google Scholar]
41. McKerrell, Simon
    2015 “Social Distance and the Multimodal Construction of the Other in Sectarian Song”. Social Semiotics. 25(5):1–19. doi:  10.1080/10350330.2015.1046216
    https://doi.org/10.1080/10350330.2015.1046216 [Google Scholar]
42. Moore, Allan
    2013 Song Means: Analysing and Interpreting Recorded Popular Song. Farnham: Ashgate.
    [Google Scholar]
43. Pedelty, Mark and Weglarz, Kristine
    2013 Political Rock. Aldershot: Ashgate.
    [Google Scholar]
44. Pernot, Laurent
    2006 “The Rhetoric of Religion”. Rhetorica: A Journal of the History of Rhetoric, 24 (3): 235–254. doi:  10.1525/rh.2006.24.3.235
    https://doi.org/10.1525/rh.2006.24.3.235
45. Pettan, Svanibor
    1998 Music, Politics and War: Views from Coatia. Zagreb: Institution of Ethnology and Folklore Research.
    [Google Scholar]
46. Pettan, Svanibor
    2010 “Music in War, Music for Peace: Experiences in Applied Ethnomusicology”, InMusic and Conflict, Eds. byO’Connell and Castelo- Branco. 177–192. Chicago: University of Illinois Press.
    [Google Scholar]
47. Reisigl, Martin, and Ruth Wodak
    2001 Discourse and Discrimination: Rhetorics of Racism and Antisemitism. London: Routledge.
    [Google Scholar]
48. Reisigl, Martin, and Ruth Wodak
    2016 “The discourse-historical approach (DHA)”. InMethods of Critical Discourse Analysis, ed. byR. Wodak and M. Meyer, (2nd ed.), 87–121. London: Sage.
    [Google Scholar]
49. Richardson, John E.
    2017 “Recontextualization and Fascist Music”. InMusic As Multimodal Discourse; Semiotics, Power and Protest, ed. byLyndon C. S. Way and Simon McKerrell, 71–94. London: Bloomsbury.
    [Google Scholar]
50. Semino, Elena
    2008 Metaphor in Discourse. Cambridge: Cambridge University Press.
    [Google Scholar]
51. Shariati, Ali
    1986 “Shahadat (martyrdom) in Hoseyn, vaares-e Adam, (1360/1981) (Collected Works).” InTaleqani, M. Mutahhari, and A. Shari’ati, Jihad and Shahadat: Struggle and Martyrdom in Islam, ed. byMehdi Abedi, and Gary M. Legenhausen, (Trans.). 208ff. Houston: Iris (Institute for Research and Islamic Studies).
    [Google Scholar]
52. Shekhovtsov, Anton
    2013 “Music and the Other”. Special Issue of Patterns of Prejudice, 47(4–5): 329–501. doi:  10.1080/0031322X.2013.850801
    https://doi.org/10.1080/0031322X.2013.850801 [Google Scholar]
53. Street, John
    2012 Music and Politics. Cambridge: Polity.
    [Google Scholar]
54. van Leeuwen, Theo
    1998 “Music and Ideology: Notes Toward a Sociosemiotics of Mass Media Music.” Popular Music and Society, 22 (4): 25–54. doi:  10.1080/03007769808591717
    https://doi.org/10.1080/03007769808591717 [Google Scholar]
55. van Leeuwen, Theo
    1999 Speech, Music, Sound. London: MacMillan. 10.1007/978‑1‑349‑27700‑1
    https://doi.org/10.1007/978-1-349-27700-1 [Google Scholar]
56. van Leeuwen, Theo
    2012 “The Critical Analysis of Musical Discourse,” Critical Discourse Studies. 9(4): 319–328. doi:  10.1080/17405904.2012.713204
    https://doi.org/10.1080/17405904.2012.713204 [Google Scholar]
57. Way, Lyndon
    2012 “Pop’s subversive potential: Turkish popular music videos as a multi-modal site of resistance.” Multimodal Communication1 (3): 251–275. 10.1515/mc‑2012‑0015
    https://doi.org/10.1515/mc-2012-0015 [Google Scholar]
58. Way, Lyndon
    2013 “Discourses of popular politics, war and authenticity in Turkish pop music.” Social Semiotics. 23 (5): 715–734. doi:  10.1080/10350330.2013.819723
    https://doi.org/10.1080/10350330.2013.819723 [Google Scholar]
59. Way, Lyndon
    2015 “YouTube as a site of debate through populist politics: the case of a Turkish protest pop video”, Journal of Multicultural Discourses10(2): 1–17. doi: 10.1080/17447143.2015.10419
    https://doi.org/10.1080/17447143.2015.10419 [Google Scholar]
60. Way, Lyndon
    2016 “Protest Music, Populism, Politics and Authenticity: The Limits and Potential of Popular Music’s Articulation of Subversive Politics,” Journal of Language and Politics15 (4). doi:  10.1075/jlp.15.4.03way
    https://doi.org/10.1075/jlp.15.4.03way [Google Scholar]
61. Way, Lyndon
    2018 Popular Music and Multimodal Critical Discourse Studies. London: Bloomsbury. 10.5040/9781350016477
    https://doi.org/10.5040/9781350016477 [Google Scholar]
62. Way, Lyndon C. and McKerrell, Simon
    2017 “Understanding Music as Multimodal Discourse.” InMusic As Multimodal Discourse; Semiotics, Power and Protest, ed. byLyndon C. S. Way and Simon McKerrell, 1–21. London: Bloomsbury.
    [Google Scholar]
63. Winkler, Sheldon
    2013 The Music of World War II: War Songs and Their Stories. Vermont: Merriam Press.
    [Google Scholar]
64. Wodak, Ruth
    2001 “The Discourse-Historical Approach.” InMethods of Critical Discourse Analysis, ed. byR. Wodak and M. Meyer. 61–94. London: Sage.
    [Google Scholar]
65. Wodak, Ruth, Rudolf de Cillia, Martin Reisigl, and Karin Liebhart
    2009 The Discursive Construction of National Identity (trans.Angelika Hirsh, Richard Mitten, and J. W. Unger) (2nd ed.). Edinburgh: Edinburgh University Press.
66. Wolf, Richard K.
    2000 “Embodiment and Ambivalence: Emotion in South Asian Muharram Drumming”. Yearbook for Traditional Music, 32: 81–116. doi:  10.2307/3185244
    https://doi.org/10.2307/3185244 [Google Scholar]
67. Yann, Richard
    1995 Shi’ite Islam: Polity, Ideology and Creed (trans.Nevill, A.). Massachusetts: Basil Blackwell Publishers.
68. Zahedi, Touraj
    2009 The Music of Ashoura. Tehran: Hozey-e Honari (in Persian).