“Symbolic photographs” as floating and empty signifiers

References

1. Derrida, Jacques
   1976 Of Grammatology. London: Johns Hopkins University Press.
   [Google Scholar]
2. Derrida, Jacques
   1988 Limited Inc. Evanston: Northwestern University Press.
   [Google Scholar]
3. Derrida, Jacques
   2002 Without Alibi. Stanford: Stanford University Press.
   [Google Scholar]
4. Derrida, Jacques
   2007 “A Certain Impossible Possibility of Saying the Event.” Critical Inquiry33(2): 441–461. 10.1086/511506
   https://doi.org/10.1086/511506 [Google Scholar]
5. Griffin, Michael
   1999 “The Great War Photographs.” InPicturing the Past, ed. byBonnie Brennen and Hanno Hardt, 121–157. Urbana: University of Illinois Press.
   [Google Scholar]
6. Griffin, Michael
   2012 “Images from Nowhere: Visuality and News in 21st Century Media.” InVisual Cultures: A Transatlantic Perspective, ed. byVolker Depkat and Meike Zwingenberger, 159–189. Heidelberg: Universitaetsverlag Winter.
   [Google Scholar]
7. Hariman, Robert, and John Lucaites
   2007 No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press.
   [Google Scholar]
8. Laclau, Ernesto
   1990 New Reflections on the Revolution of Our Time. London: Verso.
   [Google Scholar]
9. Laclau, Ernesto
   1996 “The Death and Resurrection of the Theory of Ideology.” Journal of Political Ideologies1(3): 201–220. 10.1080/13569319608420738
   https://doi.org/10.1080/13569319608420738 [Google Scholar]
10. Laclau, Ernesto
    2007 Emancipation(s). London: Verso.
    [Google Scholar]
11. Laclau, Ernesto, and Chantal Mouffe
    1985 Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. London: Verso.
    [Google Scholar]
12. Lucy, Niall
    2004 A Derrida Dictionary. New York: Wiley. 10.1002/9780470775752
    https://doi.org/10.1002/9780470775752 [Google Scholar]
13. Machin, David
    2004 “Building the World’s Visual Language: The Increasing Global Importance of Image Banks in Corporate Media.” Visual Communication3(3): 316–336. 10.1177/1470357204045785
    https://doi.org/10.1177/1470357204045785 [Google Scholar]
14. Machin, David, and Adam Jaworski
    2006 “Archive Video Footage in News: Creating Likeness and Index of the Phenomenal World.” Visual Communication5(3): 354–366. 10.1177/1470357206068464
    https://doi.org/10.1177/1470357206068464 [Google Scholar]
15. Perlmutter, David
    1998 Photojournalism and Foreign Policy: Icons of Outrage in International Crises. London: Praeger.
    [Google Scholar]
16. Sekula, Allan
    1982 “On the Invention of Photographic Meaning.” InThinking Photography, ed. byVictor Burgin, 84–109. Houndmills: Macmillan. 10.1007/978‑1‑349‑16716‑6_5
    https://doi.org/10.1007/978-1-349-16716-6_5 [Google Scholar]
17. Stavrakakis, Yannis
    1999 Lacan and the Political. London: Routledge.
    [Google Scholar]
18. Šumič, Jelica
    2004 “Anachronism of Emancipation or Fidelity to Politics.” InLaclau: A Critical Reader, ed. bySimon Critchley and Oliver Marchart, 182–198. London: Routledge.
    [Google Scholar]
19. Tomanić Trivundža, Ilija
    2015 Press Photography and Visual Framing of News. Ljubljana: Fakulteta za družbene vede.
    [Google Scholar]
20. Vezvonik, Andreja, and Ljiljana Šarić
    2020 “Subjectless Images: Visualization of Migrants in Croatian and Slovenian Public Broadcasters’ Online News.” Social Semiotics30(2): 168–190. 10.1080/10350330.2018.1541117
    https://doi.org/10.1080/10350330.2018.1541117 [Google Scholar]
21. Vobič, Igor, and Ilija Tomanić Trivundža
    2015 “The Tyranny of the Empty Frame.” Journalism Practice, 9(4): 502–519. 10.1080/17512786.2015.1030137
    https://doi.org/10.1080/17512786.2015.1030137 [Google Scholar]
22. Waisbord, Silvio
    2018 “The Elective Affinity between Post-truth Communication and Populist Politics.” Communication Research and Practice4(1): 17–34. 10.1080/22041451.2018.1428928
    https://doi.org/10.1080/22041451.2018.1428928 [Google Scholar]
23. Zarzycka, Marta, and Martijn Kleppe
    2013 “Awards, Archives, and Affects: Tropes in the World Press Photo Contest 2009–11.” Media, Culture & Society35(8): 977–995. 10.1177/0163443713501933
    https://doi.org/10.1177/0163443713501933 [Google Scholar]
24. Zelizer, Barbie
    2007 “On ‘Having Been There’: ‘Eyewitnessing’ as a Journalistic Key Word.” Critical Studies in Media Communication24(5): 408–428. 10.1080/07393180701694614
    https://doi.org/10.1080/07393180701694614 [Google Scholar]
25. Zelizer, Barbie
    2010 About to Die: How News Images Move the Public. New York: Oxford University Press.
    [Google Scholar]