oa Review of Gerfer (2025): Jamaican Creole in global reggae and dancehall performances: Language use, perceptions, attitudes

References

1. Hollington, A., Farquharson, J. T., & Jones Jr., B. M.
   (Eds.) (2022) Contact languages and music. University of the West Indies Press. 10.37234/EIZMHPMH
   https://doi.org/10.37234/EIZMHPMH [Google Scholar]
2. Jansen, L.
   (2022) English rock and pop performances: A sociolinguistic investigation of British and American language perceptions and attitudes. John Benjamins. 10.1075/impact.51
   https://doi.org/10.1075/impact.51 [Google Scholar]
3. Spiegel
   Spiegel (2022) Als Schwarzer Jamaikaner wäre ich nicht so erfolgreich [As Black Jamaican I would not be that successful]. Spiegel Kultur. https://www.spiegel.de/kultur/musik/reggae-kuenstler-gentleman-ueber-kulturelle-aneignung-als-schwarzer-jamaikaner-waere-ich-nicht-so-erfolgreich-a-e546f4b7-945d-4dd9-b2e8-27dbb5b64735 [Reggae artist Gentleman on cultural appropriation: As Black Jamaican I would not be that successful.] (accessedAugust 2025)
   [Google Scholar]
4. Westphal, M. & Jansen, L.
   (2021) English in global pop music. InB. Schneider, T. Heyd, & M. Saraceni (Eds.), World Englishes volume 1: Paradigms (pp.–). Bloomsbury. 10.5040/9781350065833.0020
   https://doi.org/10.5040/9781350065833.0020 [Google Scholar]