1887
Volume 6, Issue 2
  • ISSN 2543-3164
  • E-ISSN: 2543-3156
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Abstract

Abstract

While the problem still remains decriminalised in Russia, this study explores domestic violence victims’ storytelling in four episodes of the popular Russian talk show , which aired from 2017 to 2020. By drawing upon De Fina’s (2021) narratives-as-practice approach and van Leeuwen’s (2008) CDA theory, I critically examine storytelling as a discourse practice itself and situate constructed identities, norms, and values in wider dominant discourses of country’s social and political life. Corpus-assisted discourse analysis (Baker 2012) helps to analyse the representation of abusers and victims. Qualitative and quantitative analyses suggest that the show, broadcast on the main state-funded federal channel, propagates a family ideology that supports victim-blaming, normalises and depolitisises domestic violence. The research indicates that such an anti-feminist, misogynist, and patriarchal discourse becomes an integral part of the state’s anti-Western and anti-liberal ideology and resonates with the general increase in epistemological violence in today’s Russia.

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2025-02-17
2025-12-12
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