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Abstract
This paper looks at dialogicity in the Slow Art Day blog and focuses on the way the representation of participants encodes the complexity of the communicative action through a polyphony of textual voices. By focusing on posts from the pandemic years (2020 and 2021), and contrasting them with the previous period, we carry out a collocation analysis and a study of semantic preferences (Sinclair 2004) to explore how writers present themselves and how they interact with the reader and other textual voices in a context of cultural intermediation. By looking at forms of address and of self-mention, we trace how this blog enacts different forms of dialogic action with its readers and stakeholders in the extended situational context.
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