1887
Volume 9, Issue 1
  • ISSN 2210-4070
  • E-ISSN: 2210-4097
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Abstract

Abstract

In this article, we describe how antithesis and metaphoric conceptualization interact with each other and which rhetorical effects this interaction brings about. We illustrate this interaction with an analysis of seventeen graffiti artworks by Banksy, who uses the contraposition of visual elements that are characterized by opposite semantic and affective values. This article contributes to the expanding field of empirical studies of visual/pictorial metaphors and antitheses, in which artworks are interpreted according to conceptual dynamics and not only in relation to their thematic, semiotic and representational properties.

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2019-05-20
2019-10-19
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  • Article Type: Research Article
Keyword(s): antithesis , art , Banksy , conceptual interaction and visual/pictorial metaphor
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