Review of Müller & Kappelhoff (2018): Cinematic Metaphor: Experience–Affectivity–Temporality

References

1. Bordwell, D.
   (2012) Poetics of cinema. Routledge. 10.4324/9780203941898
   https://doi.org/10.4324/9780203941898 [Google Scholar]
2. Bort-Mir, L.
   (2019) Developing, applying, and testing FILMIP: The filmic metaphor identification procedure [Doctoral dissertation]. Universitat Jaume I.
3. Bort-Mir, L., Bolognesi, M., & Ghaffaryan, S.
   (2020) Cross-cultural interpretation of filmic metaphors: A think-aloud experiment. Intercultural Pragmatics, 17(4), 389–416. 10.1515/ip‑2020‑4001
   https://doi.org/10.1515/ip-2020-4001 [Google Scholar]
4. Charteris-Black, J., & Ennis, T.
   (2001) A comparative study of metaphor in Spanish and English financial reporting. English for Specific Purposes, 20(3), 249–266. 10.1016/S0889‑4906(00)00009‑0
   https://doi.org/10.1016/S0889-4906(00)00009-0 [Google Scholar]
5. Coëgnarts, M., & Kravanja, P.
   (2012) Embodied visual meaning: Image schemas in film. Projections6(2), 84–101. 10.3167/proj.2012.060206
   https://doi.org/10.3167/proj.2012.060206 [Google Scholar]
6. Fahlenbrach, K.
   (2017) Audiovisual metaphors and metonymies of emotions and depression in moving images. InErvas, F., Gola, E., & Rossi, M. G. (Eds.). Metaphor in communication, science and education (pp.95–117). Mouton de Gruyter. 10.1515/9783110549928‑006
   https://doi.org/10.1515/9783110549928-006 [Google Scholar]
7. Fahlenbrach, K.
   (2018) Moving metaphors: Affects, movements, and embodied metaphors in cinema. In: S. Greifenstein, D. Horst, T. Scherer, C. Schmitt, H. Kappelhoff, & C. Müller (eds) Cinematic metaphor in perspective: Reflections on a transdisciplinary framework (pp.69–92). Mouton de Gruyter. 10.1515/9783110615036‑005
   https://doi.org/10.1515/9783110615036-005 [Google Scholar]
8. Forceville, C.
   (2002) The identification of target and source in pictorial metaphors. Journal of Pragmatics, 34, 1–14. 10.1016/S0378‑2166(01)00007‑8
   https://doi.org/10.1016/S0378-2166(01)00007-8 [Google Scholar]
9. Forceville, C.
   (2017) Visual and multimodal metaphor in advertising: Cultural perspectives. Styles of Communication, 9(2), 26–41.
   [Google Scholar]
10. Forceville, C.
    (2018) Multimodality, film, and cinematic metaphor: An evaluation of Müller and Kappelhoff (2018). Punctum, 4(2), pp.90–108. 10.18680/hss.2018.0021
    https://doi.org/10.18680/hss.2018.0021 [Google Scholar]
11. Forceville, C., & Uriós-Aparisi, E.
    (Eds) (2009) Multimodal metaphor. Mouton de Gruyter. 10.1515/9783110215366
    https://doi.org/10.1515/9783110215366 [Google Scholar]
12. Ibarretxe-Antuñano, I.
    (2013) The relationship between conceptual metaphor and culture. Intercultural Pragmatics, 10(2), 315–339. 10.1515/ip‑2013‑0014
    https://doi.org/10.1515/ip-2013-0014 [Google Scholar]
13. Kövecses, Z.
    (2005) Metaphor in culture: Universality and variation. Cambridge: Cambridge University Press. 10.1017/CBO9780511614408
    https://doi.org/10.1017/CBO9780511614408 [Google Scholar]
14. Kövecses, Z.
    (2010a) Cross-cultural experience of anger: A psycholinguistic analysis. InP. Michael, G. Stemmler, & C. Spielberger (Eds) International handbook of anger: Constituent and concomitant biological, psychological, and social processes. (pp.157–174). Springer. 10.1007/978‑0‑387‑89676‑2_10
    https://doi.org/10.1007/978-0-387-89676-2_10 [Google Scholar]
15. Kövecses, Z.
    (2010b) Metaphor and culture. Acta Universitatis Sapientiae, Philologica [Journal of The University of Wisdom, Philology], 2(2), 197–220.
    [Google Scholar]
16. Kövecses, Z.
    (2017) The interplay between metaphor and culture. Micro-scale Perspectives on Cognition, Translation and Cross-Cultural Communication, 18, 7–18.
    [Google Scholar]
17. Kövecses, Z., Szelid, V., Nucz, E., Blanco-Carrion, O., Akkök, E. A., & Szabó, R.
    (2015) Anger metaphors across languages: A cognitive linguistic perspective. Bilingual Figurative Language Processing, 341–367. 10.1017/CBO9781139342100.017
    https://doi.org/10.1017/CBO9781139342100.017 [Google Scholar]
18. Lakoff, G., & Johnson, M.
    (1980) Metaphors we live by. University of Chicago press.
    [Google Scholar]
19. MacArthur, F., Oncins-Martínez, J. L., Sánchez-García, M., and Piquer-Píriz, A. M.
    (Eds.) (2012) Metaphor in use: Context, culture, and communication. John Benjamins Publishing. 10.1075/hcp.38
    https://doi.org/10.1075/hcp.38 [Google Scholar]
20. Ortiz, M. J.
    (2014) Visual manifestations of primary metaphors through mise-en-scène techniques. Image & Narrative, 15(1), 5–16.
    [Google Scholar]
21. Poppi, F. & Uriós-Aparisi, E.
    (2018) De corporibus humanis: Metaphor and ideology in the representation of the human body in cinema. Metaphor and Symbol. 33(4), 295–314. 10.1080/10926488.2018.1549838
    https://doi.org/10.1080/10926488.2018.1549838 [Google Scholar]
22. Wildfeuer, J.
    (2014) Film discourse interpretation: Towards a new paradigm for multimodal film analysis. London: Routledge. 10.4324/978020376620
    https://doi.org/10.4324/978020376620 [Google Scholar]
23. Wildfeuer, J.
    (2016) From text to recipient: Pragmatic insights for filmic meaning construction. InJ. Wildfeuer & J. A. Bateman (Eds). Film Text Analysis. New Perspectives on the Analysis of Filmic Meaning (pp.130–152). Routledge. 10.4324/9781315692746
    https://doi.org/10.4324/9781315692746 [Google Scholar]
24. Wildfeuer, J., & Bateman, J. A.
    (Eds.) (2016) Film text analysis: New perspectives on the analysis of filmic meaning. Taylor & Francis. 10.4324/9781315692746
    https://doi.org/10.4324/9781315692746 [Google Scholar]
25. Zlatev, J., Blomberg, J., & Magnusson, U.
    (2012) Metaphor and subjective experience: A study of motion-emotion metaphors in English, Swedish, Bulgarian, and Thai. InA. Foole, U. Lüdtke, T. Racine & J. Zlatev (Eds). Moving ourselves, moving others (pp.423–450). John Benjamins Publishing. 10.1075/ceb.6.17zla
    https://doi.org/10.1075/ceb.6.17zla [Google Scholar]