1887
Volume 25, Issue 1
  • ISSN 1387-6740
  • E-ISSN: 1569-9935
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Abstract

The product story, an emerging genre increasingly used in creative industries, introduces the product by means of storytelling. Unlike a typical personal narrative, which reports events, the product story, which usually includes one or more pictures showing the item for sale, uses the past as a resource to tell a story about a new product pertaining to human experience. This study uses the notion of multimodal figuration to characterize the co-presence of narrativity and visuality in product stories. The notion simultaneously refers to three key features of product stories which are co-produced by word and image: participants (i.e. product and human), the generation of plots, and emotionality. In the interactions between participants exists a tension between objectifying and animating forces. Two other phenomena result from the interconnections among the three senses or layers of multimodal figuration: crossing experience and creating empathy, in both of which metaphor plays a central role.

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/content/journals/10.1075/ni.25.1.07tse
2015-01-01
2024-10-08
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  • Article Type: Research Article
Keyword(s): empathy; experience crossing; metaphor; product stories; small stories
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