1887
Volume 27, Issue 1
  • ISSN 1387-6740
  • E-ISSN: 1569-9935
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Abstract

I draw together multimodal and creative art practices with sociological and discursive research frameworks to detail how multimodal interviewing facilitates communication of individual narratives. I offer a route for researching how embodied self-production emerges by asking: What can be learnt from analysing the context and process of narrative accounts rather than the content? Consideration is given to how a drawn visual line influences the narrative progress by inviting diverse, active and embodied engagement, while highlighting issues that participants prioritise. Attention is also given to how self-recognition and the production of identity become apparent in moments that punctuate a narrator’s story-telling. These moments are identified as discursive transitions and include switches in style or topic of conversation, expressions of emotion, pauses and extended silences. These transitions are conceptualised as examples of a ‘structuring presence’ within a narrative, and I explore how these are central to the embodied production of self-identity.

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2017-07-21
2019-12-10
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  • Article Type: Research Article
Keyword(s): discursive transitions , embodied identity , multimodal narratives and silence
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