1887
Volume 18, Issue 1
  • ISSN 1571-0718
  • E-ISSN: 1571-0726
USD
Buy:$35.00 + Taxes

Abstract

Abstract

This paper adopts a relevance-theoretic perspective to analyse how  – one of the types of bands in Cádiz carnival – exploit a series of verbal and visual comic elements in order to create or reinforce local identity: (i) the names of the bands, (ii) their attire, (iii) gestures and (iv) the lyrics of their comical songs, which satirise, mock, criticise, ridicule, praise, flatter or censure events or states of affairs. These elements will be argued to make manifest assumptions, activate (private) mental frames or express attitudes about those events or states of affairs, which the audience discover are already manifest to, and shared by, its members. Checking that other people entertain similar assumptions about and/or have similar attitudes towards those events or states of affairs – i.e. the ‘joy of manifestness’ – will be shown to be essential for generating a feeling of in-group membership on which that of a local identity greatly depends.

Loading

Article metrics loading...

/content/journals/10.1075/sic.00071.pad
2021-05-03
2025-04-23
Loading full text...

Full text loading...

References

  1. Al-Jende, Abel , Carmen Guerrero , and José M. Manjavacas
    2008 “Agrupaciones ‘ilegales’ o ‘callejeras’ del carnaval de Cádiz: Espacio social autónomo y patrimonio cultural.” InPatrimonios culturales: Educación e interpretación. Cruzando límites y produciendo alternativas, ed. by Xerardo Pereiro , Santiago Prado , and Hiroko Takenaka , 140–154. San Sebastián: Ankulegi.
    [Google Scholar]
  2. Attardo, Salvatore
    2002 “Semiotics and Pragmatics of Humor Communication.” Babel A.F.I.A.L. (Special issue on humour): 25–66.
    [Google Scholar]
  3. Attardo, Salvatore , Christian F. Hempelman , and Sara di Maio
    2002 “Script Oppositions and Logical Mechanisms: Modeling Incongruities and Their Resolutions.” Humor15 (1): 1–44. 10.1515/humr.2002.004
    https://doi.org/10.1515/humr.2002.004 [Google Scholar]
  4. Attridge, Derek
    1988Peculiar Language: Literature as Difference from the Renaissance to Joyce. London: Methuen.
    [Google Scholar]
  5. Barceló Calatayud, Ana M.
    2014 El tipo en el carnaval de Cádiz. Propuesta para una catalogación. Universidad de Cádiz: PhD dissertation.
    [Google Scholar]
  6. Brisset Martín, Demetrio
    2011 “Los carnavales de Cádiz.” Aventura de la Historia148: 86–87.
    [Google Scholar]
  7. Brottman, Mikita
    2004Funny Peculiar. Gershon Legman and the Psychopathology of Humor. New York: Routledge.
    [Google Scholar]
  8. Carston, Robyn
    2002Thoughts and Utterances. The Pragmatics of Explicit Communication. Oxford: Blackwell. 10.1002/9780470754603
    https://doi.org/10.1002/9780470754603 [Google Scholar]
  9. Chiaro, Delia
    2011 “Comic Takeover or Comic Makeover? Notes on Humour, Translating, Translation and (Un)Translatability.” InThe Pragmatics of Humour across Discourse Domains, ed. by Marta Dynel , 365–378. Amsterdam: John Benjamins. 10.1075/pbns.210.23chi
    https://doi.org/10.1075/pbns.210.23chi [Google Scholar]
  10. Cundall, Michael
    2007 “Humour and the Limits of Incongruity.” Creativity Research Journal19: 203–211. 10.1080/10400410701397263
    https://doi.org/10.1080/10400410701397263 [Google Scholar]
  11. Davies, Christie
    2011Jokes and Targets. Bloomington: Indiana University Press.
    [Google Scholar]
  12. Dynel, Marta
    2007 “Joking Aside: Sociopragmatic Functions of Conversational Humour in Interpersonal Communication.” InCurrent Trends in Pragmatics, ed. by Piotr Cap , and Joanna Nijakowska , 246–268. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
    [Google Scholar]
  13. 2010 “How Do Puns Bear Relevance?” InRelevance Studies in Poland. Volume 3. Exploring Translation and Communication Problems, ed. by Marta Kisielewska-Krysiuk , Agnieszka Piskorska , and Ewa Wałaszewska , 105–124. Warsaw: Warsaw University Press.
    [Google Scholar]
  14. 2012a “What RT Cannot Do, IR Can: On the Incremental Interpretation of Jokes in (Non)Relevance-theoretic Terms.” InRelevance Theory: More than Understanding, ed. by Ewa Wałaszewska , and Agnieszka Piskorska , 147–166. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
    [Google Scholar]
  15. 2012b “Garden Paths, Red Lights and Crossroads: On Finding Our Way to Understanding the Cognitive Mechanisms Underlying Jokes.” Israeli Journal of Humor Research1: 6–28.
    [Google Scholar]
  16. Fernández Jiménez, Estrella
    2016 El potencial comunicativo de las chirigotas gaditanas y su realización televisiva. Universidad de Sevilla: PhD dissertation.
    [Google Scholar]
  17. Forabosco, Giovannantonio
    2008 “Is the Concept of Incongruity Still a Useful Construct for the Advancement of Humor Research?” Łodz Papers in Pragmatics4 (1): 45–62. 10.2478/v10016‑008‑0003‑5
    https://doi.org/10.2478/v10016-008-0003-5 [Google Scholar]
  18. Giora, Rachel
    1997 “Understanding Figurative and Literal Language: The Graded Salience Hypothesis.” Cognitive Linguistics8: 183–206. 10.1515/cogl.1997.8.3.183
    https://doi.org/10.1515/cogl.1997.8.3.183 [Google Scholar]
  19. González Martínez, Adolfo E.
    1984 “Tabúes y eufemismos en un fenómeno de literatura efímera.” Tavira1: 69–80.
    [Google Scholar]
  20. 1999 “Andalucismos del léxico disponible de la provincia de Cádiz.” Biblid16: 181–193.
    [Google Scholar]
  21. Hay, Jennifer
    2000 “Functions of Humour in the Conversations of Men and Women.” Journal of Pragmatics32: 709–742. 10.1016/S0378‑2166(99)00069‑7
    https://doi.org/10.1016/S0378-2166(99)00069-7 [Google Scholar]
  22. Koestler, Arthur
    1964The Act of Creation. London: Hutchinson.
    [Google Scholar]
  23. Lomas Salmonte, Francisco J. , Rafael Sánchez Saus , Manuel Bustos , Alberto Ramos Santana , and José L. Millán Chivite
    2005Historia de Cádiz. Madrid: Sílex.
    [Google Scholar]
  24. López Domínguez, Ana
  25. Mariscal Sánchez, Cintia
    2017 La imagen de Andalucía en el carnaval de Cádiz a través de las comparsas. Universidad de Sevilla: PhD dissertation.
    [Google Scholar]
  26. McGhee, Paul E.
    (ed.) 1979Humor: Its Origin and Development. San Francisco: Freeman.
    [Google Scholar]
  27. Moreno Caballud, Luis
    2014 ““Todo el año es carnaval”: Tradiciones populares y contracultura en la Transición.” Kamchatka. Revista de Análisis Cultural4: 101–123.
    [Google Scholar]
  28. Moreno Tello, Santiago
    2015 El carnaval silenciado. Golpe de estado, guerra, dictadura y represión en el febrero gaditano (1936–1945). Universidad de Cádiz: PhD dissertation.
    [Google Scholar]
  29. Noh, Eun-Ju
    2000Metarepresentation. A Relevance-Theory Approach. Amsterdam: John Benjamins. 10.1075/pbns.69
    https://doi.org/10.1075/pbns.69 [Google Scholar]
  30. Osuna, Javier
    2002Cádiz, cuna de dos cantes. Cádiz: Quórum.
    [Google Scholar]
  31. Padilla Cruz, Manuel
    2004 Aproximación pragmática a los enunciados fáticos: enfoque social y cognitivo. Universidad de Sevilla: PhD dissertation.
    [Google Scholar]
  32. 2007 “Metarepresentations and Phatic Utterances: A Pragmatic Proposal about the Generation of Solidarity Between Interlocutors.” InCurrent Trends in Pragmatics, ed. by Piotr Cap , and Joanna Nijakowska , 110–128. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
    [Google Scholar]
  33. 2012 “Epistemic Vigilance, Cautious Optimism and Sophisticated Understanding.” Research in Language10 (4): 365–386. 10.2478/v10015‑011‑0040‑y
    https://doi.org/10.2478/v10015-011-0040-y [Google Scholar]
  34. 2015 “On the Role of Vigilance in the Interpretation of Puns.” Humor. International Journal of Humor Research28 (3): 469–490.
    [Google Scholar]
  35. 2016 “Vigilance Mechanisms in Interpretation: Hermeneutical Vigilance.” Studia Linguistica Universitatis Iagellonicae Cracoviensis133 (1): 21–29.
    [Google Scholar]
  36. Páramo Sánchez, M. Luisa
    2016 El carnaval de Cádiz como factoría de literatura popular. Un acercamiento al proceso de creación y transmisión de sus coplas. Universidad Complutense de Madrid: PhD dissertation.
    [Google Scholar]
  37. 2017El carnaval de las coplas, un arte de Cádiz. Madrid: Izana.
    [Google Scholar]
  38. Payán Sotomayor, Pedro
    2000 “El carnaval de Cádiz, origen y evolución (siglos XVI a XIX).” Ubi Sunt? Revista de Historia6: 19.
    [Google Scholar]
  39. 2004El habla de Cádiz. Cádiz: Quórum.
    [Google Scholar]
  40. Ramos Santana, Alberto
    1985Historia del carnaval de Cádiz. Cádiz: Caja de Ahorros de Cádiz.
    [Google Scholar]
  41. 2002El carnaval secuestrado o la historia del carnaval. Cádiz: Quórum.
    [Google Scholar]
  42. Ritchie, L. David
    2005 “Frame-shifting in Humor and Irony.” Metaphor and Symbol20: 275–294. 10.1207/s15327868ms2004_3
    https://doi.org/10.1207/s15327868ms2004_3 [Google Scholar]
  43. Ruiz-Gurillo, Leonor
    2012La lingüística del humor en español. Madrid: Arco Libros.
    [Google Scholar]
  44. 2013a “Eva Hache y El Club de la Comedia: Del guión monológico al registro dialógico.” Onomázein28: 148–161. 10.7764/onomazein.28.5
    https://doi.org/10.7764/onomazein.28.5 [Google Scholar]
  45. 2013b “El monólogo humorístico como tipo de discurso. El dinamismo de los rasgos primarios.” Cuadernos AISPI2: 195–218.
    [Google Scholar]
  46. 2013c “Narrative Strategies in Buenafuente’s Monologues.” InIrony and Humor. From Pragmatics to Discourse, ed. by Leonor Ruiz-Gurillo , and M. Belén Alvarado Ortega , 107–140. Amsterdam: John Benjamins. 10.1075/pbns.231.08rui
    https://doi.org/10.1075/pbns.231.08rui [Google Scholar]
  47. 2014 “Infiriendo el humor. Un modelo de análisis para el español.” Círculo de Lingüística Aplicada a la Comunicación59: 148–162. 10.5209/rev_CLAC.2014.v59.46712
    https://doi.org/10.5209/rev_CLAC.2014.v59.46712 [Google Scholar]
  48. Sacaluga Rodríguez, Ignacio
    2014 El carnaval de Cádiz como generador de información, opinión y contrapoder: Análisis crítico de su impacto en línea y fuera de línea. Universidad Europea de Madrid: PhD dissertation.
    [Google Scholar]
  49. 2015 “Las agrupaciones del carnaval de Cádiz: un ejercicio creativo de contrapoder.” Creatividad y Sociedad24: 4–31.
    [Google Scholar]
  50. 2016 “Aproximación al impacto del carnaval de Cádiz en la prensa escrita gaditana.” Etic@net16 (1): 64–87. 10.30827/eticanet.v16i1.11937
    https://doi.org/10.30827/eticanet.v16i1.11937 [Google Scholar]
  51. Sacaluga Rodríguez, Ignacio , and Álvaro Pérez García
    2016 “Carnaval de Cádiz y cine, una relación recíproca.” Periférica: Revista para el Análisis de la Cultura y el Territorio17: 299–311. 10.25267/Periferica.2016.i17.22
    https://doi.org/10.25267/Periferica.2016.i17.22 [Google Scholar]
  52. Sacaluga Rodríguez, Ignacio , Álvaro Pérez García , M. Luisa Páramo Sánchez , Santiago Moreno , Felipe Barbosa Illescas , and Francisco García Gallardo
    2017El carnaval de Cádiz: De las coplas a la industria cultural. Cádiz: Servicio de Publicaciones de la Universidad de Cádiz.
    [Google Scholar]
  53. Solska, Agnieszka
    2012a “Relevance-theoretic Comprehension Procedure and Processing Multiple Meanings in Paradigmatic Puns.” InRelevance Theory. More than Understanding, ed. by Agnieska Piskorska , and Ewa Wałaszewska , 167–182. Newcastle-upon-Tyne: Cambridge Scholars Publishing.
    [Google Scholar]
  54. 2012b “The Relevance-based Model of Context in Processing Puns.” Research in Language10 (4): 387–404. 10.2478/v10015‑012‑0001‑0
    https://doi.org/10.2478/v10015-012-0001-0 [Google Scholar]
  55. Sperber, Dan
    1994 “Understanding Verbal Understanding.” InWhat Is Intelligence?, ed. byJean Khalfa, 179–198. Cambridge: Cambridge University Press.
    [Google Scholar]
  56. Sperber, Dan
    1996Explaining Culture. A Naturalistic Approach. Oxford: Blackwell.
    [Google Scholar]
  57. (ed.) 2000Metarepresentations. A Multidisciplinary Perspective. Oxford: Oxford University Press.
    [Google Scholar]
  58. Sperber, Dan , and Deirdre Wilson
    1986Relevance. Communication and Cognition. Oxford: Blackwell.
    [Google Scholar]
  59. 1995Relevance. Communication and Cognition. 2nd edition. Oxford: Blackwell.
    [Google Scholar]
  60. 2015 “Beyond Speaker’s Meaning.” Croatian Journal of Philosophy15 (44): 117–149.
    [Google Scholar]
  61. Suls, Jerry M.
    1972 “A Two-stage Model for the Appreciation of Jokes and Cartoons: An Information-processing Analysis.” InThe Psychology of Humor: Theoretical Perspectives and Empirical Issues, ed. by Jeffrey H. Goldstein , and Paul E. McGhee , 81–100. New York: Academic Press, 81–100. 10.1016/B978‑0‑12‑288950‑9.50010‑9
    https://doi.org/10.1016/B978-0-12-288950-9.50010-9 [Google Scholar]
  62. Wharton, Tim
    2009The Pragmatics of Non-verbal Communication. Cambridge: Cambridge University Press. 10.1017/CBO9780511635649
    https://doi.org/10.1017/CBO9780511635649 [Google Scholar]
  63. Wilson, Deirdre
    1999 “Metarepresentation in Linguistic Communication.” UCL Working Papers in Linguistics11: 127–161.
    [Google Scholar]
  64. Wilson, Deirdre , and Dan Sperber
    2002 “Relevance Theory.” UCL Working Papers in Linguistics14: 249–290.
    [Google Scholar]
  65. 2004 “Relevance Theory.” InThe Handbook of Pragmatics, ed. by Larry Horn , and Gregory Ward , 607–632. Oxford: Blackwell.
    [Google Scholar]
  66. Yus, Francisco
    2002 “Stand-up Comedy and Cultural Spread: The Case of Sex Roles.” Babel A.F.I.A.L.10 (Special issue on humour studies): 245–292.
    [Google Scholar]
  67. 2003 “Humour and the Search for Relevance.” Journal of Pragmatics35 (9): 1295–1331. 10.1016/S0378‑2166(02)00179‑0
    https://doi.org/10.1016/S0378-2166(02)00179-0 [Google Scholar]
  68. 2008 “A Relevance-theoretic Classification of Jokes.” Łodz Papers in Pragmatics4 (1): 131–157. 10.2478/v10016‑008‑0004‑4
    https://doi.org/10.2478/v10016-008-0004-4 [Google Scholar]
  69. 2013 “An Inference-centred Analysis of Jokes: The Intersecting Circles Model of Humorous Communication.” InIrony and Humor: Highlights and Genres, ed. by Leonor Ruiz-Gurillo , and M. Belén Alvarado Ortega , 59–82. Amsterdam: John Benjamins. doi: 10.1075/pbns.231.05yus
    https://doi.org/10.1075/pbns.231.05yus [Google Scholar]
  70. 2016Humour and Relevance. Amsterdam: John Benjamins. doi: 10.1075/thr.4
    https://doi.org/10.1075/thr.4 [Google Scholar]
  71. Žegarac, Vladimir
    1998 “What Is Phatic Communication?” InCurrent Issues in Relevance Theory, ed. by Villy Rouchota , and Andreas H. Jucker , 327–361. Amsterdam: John Benjamins. 10.1075/pbns.58.14zeg
    https://doi.org/10.1075/pbns.58.14zeg [Google Scholar]
  72. Žegarac, Vladimir , and Billy Clark
    1999 “Phatic Interpretations and Phatic Communication.” Journal of Linguistics35: 321–346. 10.1017/S0022226799007628
    https://doi.org/10.1017/S0022226799007628 [Google Scholar]
/content/journals/10.1075/sic.00071.pad
Loading
/content/journals/10.1075/sic.00071.pad
Loading

Data & Media loading...

  • Article Type: Research Article
Keyword(s): Cádiz carnival; humour; relevance theory
This is a required field
Please enter a valid email address
Approval was successful
Invalid data
An Error Occurred
Approval was partially successful, following selected items could not be processed due to error