Translaboration in a film context

References

1. Kubrick, Stanley
   1971 A Clockwork Orange. UK and USA: Polaris Production, Hawk Films.
   [Google Scholar]
2. Kubrick, Stanley
   1987 Full Metal Jacket. USA and UK: Hawk Films.
   [Google Scholar]
3. Zierra, Tony
   2017 Filmworker. USA: Dogwoof.
   [Google Scholar]
4. Continuity and Spotting List
   Continuity and Spotting List. Full Metal Jacket. The Stanley Kubrick Archive. The University of the Arts, London. SK/16/4/2/12.
   [Google Scholar]
5. Audiocassette
   Audiocassette, Scotch 6090m. Riccardo Aragno Papers. Private collection.
   [Google Scholar]
6. Audiocassette
   Audiocassette, Sony HF 60. Riccardo Aragno Papers. Private collection.
   [Google Scholar]
7. Audiocassette
   Audiocassette, Sony HF 120. Riccardo Aragno Papers. Private collection.
   [Google Scholar]
8. Corrected subtitles
   Corrected subtitles. Full Metal Jacket. The Stanley Kubrick Archive. The University of the Arts, London. SK/16/4/2/19.
   [Google Scholar]
9. Final dubbing script
   Final dubbing script. Full Metal Jacket. The Stanley Kubrick Archive. The University of the Arts, London. SK/16/8/6/13.
   [Google Scholar]
10. French subtitles
    French subtitles. Full Metal Jacket. The Stanley Kubrick Archive. The University of the Arts, London. SK/16/4/2/17.
    [Google Scholar]
11. Italian subtitles – first draft
    Italian subtitles – first draft. Full Metal Jacket. The Stanley Kubrick Archive. The University of the Arts, London. SK/16/5/3/42.
    [Google Scholar]
12. Italian dubbing script – first draft
    Italian dubbing script – first draft. Full Metal Jacket. The Stanley Kubrick Archive. The University of the Arts, London. SK/16/4/2/19.
    [Google Scholar]
13. Alfer, Alexa
    2015 “Transcending Boundaries.” The Linguist54 (5): 26–27.
    [Google Scholar]
14. Alfer, Alexa
    2017 “Entering the Translab: Translation as Collaboration, Collaboration as Translation, and the Third Space of ‘Translaboration’.” InTranslaboration, edited byAlexa Alfer, special issue ofTranslation and Translanguaging in Multicultural Contexts3 (3): 275–290. 10.1075/ttmc.3.3.01alf
    https://doi.org/10.1075/ttmc.3.3.01alf [Google Scholar]
15. Anokhina, Olga
    2017 “Vladimir Nabokov and His Translators: Collaboration or Translating under Duress?” InCollaborative Translation: From the Renaissance to the Digital Age, edited byAnthony Cordingley and Céline Frigau Manning, 111–129. London: Bloomsbury.
    [Google Scholar]
16. Aragno, Riccardo
    1999 Interview with GR Rai, 12March. AccessedJanuary 2, 2020. www.archiviokubrick.it/testimonianze/persone/aragno.html
17. Bollettieri, Rosa Maria, and Serenella Zanotti
    2017 “The Avant-textes of Translations: A Study of Umberto Eco’s Interaction with His Translators.” Translation Studies10 (3): 263–281. 10.1080/14781700.2017.1326314
    https://doi.org/10.1080/14781700.2017.1326314 [Google Scholar]
18. Ciment, Michel
    2001 Kubrick: The Definitive Edition. Translated byGilbert Adair. New York: Faber and Faber.
    [Google Scholar]
19. Cordingley, Anthony, and Céline Frigau Manning
    eds. 2017 Collaborative Translation: From the Renaissance to the Digital Age. London: Bloomsbury.
    [Google Scholar]
20. Cordingley, Anthony, and Chiara Montini
    eds. 2015 Towards a Genetics of Translation. Special issue ofLinguistica Antverpiensia, New Series – Themes in Translation Studies14.
    [Google Scholar]
21. De los Reyes Lozano, Julio
    2015 “Genética del doblaje cinematográfico: La versión del traductor como proto-texto en el filme Rio.” Linguistica Antverpiensia, New Series – Themes in Translation Studies14: 149–167.
    [Google Scholar]
22. De Higes Andino, Irene
    2014 “The Translation of Multilingual Films: Modes, Strategies, Constraints and Manipulation in the Spanish Translations of It’s a free world…” Linguistica Antverpiensia, New Series – Themes in Translation Studies13: 211–231.
    [Google Scholar]
23. Díaz-Cintas, Jorge
    2001 “Striving for Quality in Subtitling: The Role of a Good Dialogue List.” In(Multi)Media Translation: Concepts, Practices and Research, edited byYves Gambier and Henrik Gottlieb, 199–211. Philadelphia: John Benjamins. 10.1075/btl.34.25dia
    https://doi.org/10.1075/btl.34.25dia [Google Scholar]
24. Díaz-Cintas, Jorge, and Aline Remael
    2007 Audiovisual Translation: Subtitling. Manchester: St Jerome.
    [Google Scholar]
25. Di Giovanni, Elena
    2016 “The Layers of Subtitling.” Cogent Arts & Humanities3 (1): 1–15. 10.1080/23311983.2016.1151193
    https://doi.org/10.1080/23311983.2016.1151193 [Google Scholar]
26. Eisenschitz, Bernard
    1999 “La parole écrite: Extrait des mémoires d’un traducteur.” InL’image et la parole, edited byJacques Aumont, 29–45. Paris: Cinémathèque Française.
    [Google Scholar]
27. Eisenschitz, Bernard
    2013 “Sous-titrage mon beau souci: Notes sur une pratique.” Mise au point, 5. journals.openedition.org/map/1481. 10.4000/map.1481
    https://doi.org/10.4000/map.1481 [Google Scholar]
28. Hersant, Patrick
    2017 “Author-Translator Collaborations: A Typological Survey”. InCollaborative Translation: From the Renaissance to the Digital Age, edited byAnthony Cordingley and Céline Frigau Manning, 91–110. London: Bloomsbury.
    [Google Scholar]
29. Heymann, Danièle
    1987 “Le Vietnam de Stanley Kubrick: Un entretien avec le réalisteur de Full Metal Jacket.” Le Monde, 20October.
    [Google Scholar]
30. Heymann, Danièle
    2005 “Stanley Kubrick’s Vietnam.” InThe Stanley Kubrick Archives, edited byAlison Castle, 476–479. Hong Kong: Taschen.
    [Google Scholar]
31. Jansen, Hanne, and Anna Wegener
    2013 “Multiple Translatorship.” InAuthorial and Editorial Voices in Translation 1: Collaborative Relationships Between Authors, Translators, and Performers, edited byHanne Jansen and Anna Wegener, 1–38. Montreal, QC: Éditions québécoises de l’œuvre, collection Vita Traductiva.
    [Google Scholar]
32. Jiménez-Crespo, Miguel A.
    2017 Crowdsourcing and Online Collaborative Translations: Expanding the Limits of Translation Studies. Amsterdam: John Benjamins. 10.1075/btl.131
    https://doi.org/10.1075/btl.131 [Google Scholar]
33. Krämer, Peter
    (2015) “‘Complete total final annihilating artistic control’: Stanley Kubrick and Postwar Hollywood.” InStanley Kubrick: New Perspectives, edited byTatjana Ljujic, Peter Krämer, and Richard Daniels, 48–61. London: Black Dog.
    [Google Scholar]
34. Letawe, Céline
    2017 “Günter Grass and His Translators: From a Collaborative Dynamic to an Apparatus of Control?” InCollaborative Translation: From the Renaissance to the Digital Age, edited byAnthony Cordingley and Céline Frigau Manning, 130–144. London: Bloomsbury.
    [Google Scholar]
35. Massidda, Serenella
    2015 Audiovisual Translation in the Digital Age: The Italian Fansubbing Phenomenon. London: Palgrave Macmillan. 10.1057/9781137470379
    https://doi.org/10.1057/9781137470379 [Google Scholar]
36. Matamala, Anna
    2010 “Translations for Dubbing as Dynamic Texts: Strategies in Film Synchronization.” Babel56 (2): 101–118. 10.1075/babel.56.2.01mat
    https://doi.org/10.1075/babel.56.2.01mat [Google Scholar]
37. McAvoy, Catriona
    2015 “Creating The Shining: Looking beyond the Myths.” InStanley Kubrick: New Perspectives, edited byTatjana Ljujić, Peter Krämer, and Richard Daniels, 282–307. London: Black Dog.
    [Google Scholar]
38. McQuiston, Kate
    2013 We’ll Meet Again: Musical Design in the Films of Stanley Kubrick. Oxford: Oxford University Press. 10.1093/acprof:oso/9780199767656.001.0001
    https://doi.org/10.1093/acprof:oso/9780199767656.001.0001 [Google Scholar]
39. Mendes, Regina
    2015 “Dubbing Directors and Dubbing Actors: Co-authors of Translation for Dubbing.” InAudiovisual Translation in a Global Context, edited byRocío Baños Piñero and Jorge Díaz-Cintas, 253–265. Palgrave Macmillan: London.
    [Google Scholar]
40. Molina Foix, Vicente
    1999 “El artista maniático.” El País, 8March. AccessedAugust 21, 2018. https://elpais.com/diario/1999/03/08/cultura/920847607_850215.html
    [Google Scholar]
41. Molina Foix, Vicente
    2005 “El Director Exquisito.” El País, 6March. AccessedAugust 21, 2018. https://elpais.com/diario/2005/03/06/eps/1110094011_850215.html
    [Google Scholar]
42. Munday, Jeremy
    2012 Evaluation in Translation: Critical Points of Translator Decision-Making. London: Routledge. 10.4324/9780203117743
    https://doi.org/10.4324/9780203117743 [Google Scholar]
43. Munday, Jeremy
    2013 “The Role of Archival and Manuscript Research in the Investigation of Translator Decision-Making.” Target25 (1): 125–139. 10.1075/target.25.1.10mun
    https://doi.org/10.1075/target.25.1.10mun [Google Scholar]
44. Naremore, James
    2006 “Stanley Kubrick and the Aesthetics of the Grotesque.” Film Quarterly60 (1): 4–14. 10.1525/fq.2006.60.1.4
    https://doi.org/10.1525/fq.2006.60.1.4 [Google Scholar]
45. Nornes, Abe M.
    2007 Cinema Babel: Translating Global Cinema. Minneapolis: University of Minnesota Press.
    [Google Scholar]
46. O’Brien, Sharon
    2011 “Collaborative Translation.” InHandbook of Translation Studies, vol.2, edited byYves Gambier and Luc van Doorslaer, 17–20. Amsterdam: John Benjamins. 10.1075/hts.2.col1
    https://doi.org/10.1075/hts.2.col1 [Google Scholar]
47. Orrego-Carmona, David, and Yvonne Lee
    eds. 2017 Non-Professional Subtitling. Newcastle-upon-Tyne: Cambridge Scholars.
    [Google Scholar]
48. Palmer, William
    1995 The Films of the Eighties: A Social History. Carbondale: Southern Illinois University Press.
    [Google Scholar]
49. Richart-Marset, Mabel
    2014 “La caja negra y el mal de archivio: defense de un análisis genético del doblaje cinematográfico.” InÚltima tendencias en la investigación sobre traducción para el doblaje, edited byRocío Baños Piñero, special issue ofTRANS: Revista de traductología17: 51–69.
    [Google Scholar]
50. Romero-Fresco, Pablo
    2013 “Accessible Filmmaking: Joining the Dots between Audiovisual Translation, Accessibility, and Filmmaking.” Journal of Specialised Translation20: 201–223.
    [Google Scholar]
51. Romero-Fresco, Pablo
    2014 “Accessible Filmmaking.” AccessedJanuary 2, 2020. https://migratingtexts.wordpress.com/2014/10/19/accessible-filmmaking-by-dr-pablo-romero-fresco/
52. Romero-Fresco, Pablo
    2018 The Accessible Filmmaking Guide. London: BFI.
    [Google Scholar]
53. Romero-Fresco, Pablo
    2019 Accessible Filmmaking: Integrating Translation and Accessibility into the Filmmaking Process. London: Routledge. 10.4324/9780429053771
    https://doi.org/10.4324/9780429053771 [Google Scholar]
54. Seddon, Emma
    2019 “Exploring the Social Complexity of Translation with Assemblage Thinking.” InComplexity Thinking in Translation Studies: Methodological Considerations, edited byKobus Marais and Reine Meylaerts, 104–127. London: Routledge.
    [Google Scholar]
55. Turquety, Benoît
    2015 “Orality and Objectification: Danièle Huillet and Jean-Marie Straub, Filmmakers and Translators.” SubStance44 (2): 47–65. 10.3368/ss.44.2.47
    https://doi.org/10.3368/ss.44.2.47 [Google Scholar]
56. Whitman-Linsen, Candace
    1992 Through the Dubbing Glass: The Synchronization of American Motion Pictures into German, French and Spanish. Frankfurt am Main: Peter Lang.
    [Google Scholar]
57. Woods, Michelle
    2006 Translating Milan Kundera. Clevendon: Multilingual Matters. 10.21832/9781853598845
    https://doi.org/10.21832/9781853598845 [Google Scholar]
58. Zanotti, Serenella
    2014 “Translation and Transcreation in the Dubbing Process: A Genetic Approach.” Cultus: The Journal of Intercultural Mediation and Communication7: 107–132.
    [Google Scholar]
59. Zanotti, Serenella
    2019a “Investigating the Genesis of Translated Films: A View from the Stanley Kubrick Archive.” Perspectives: Studies in Translation Theory and Practice27 (2): 201–217. 10.1080/0907676X.2018.1490784
    https://doi.org/10.1080/0907676X.2018.1490784 [Google Scholar]
60. Zanotti, Serenella
    2019b “Auteur Dubbing: Translation, Performance and Authorial Control in the Dubbed Versions of Stanley Kubrick’s Films.” InReassessing Dubbing: Historical Approaches and Current Trends, edited byIrene Ranzato and Serenella Zanotti, 79–100. Amsterdam: John Benjamins. 10.1075/btl.148.04zan
    https://doi.org/10.1075/btl.148.04zan [Google Scholar]