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Abstract

The blended concept of translaboration aims to explore the reciprocal engagement of translation and collaboration in each other’s enterprises. This study conceptualizes Xu Bing’s art installation from the translaborative perspective as an artistic translation of China’s social realities and examines how Xu performs his subjectivity as an ‘artistranslator’ during the translation. Furthermore, since the production of involves various human and non-human collaborators, and can therefore be seen as a co-translation, this study investigates how Xu’s subjectivity is encouraged and restricted by other actors in their translaboration. It finds that human and non-human actors can enjoy equally active roles in translaboration and deserve the same level of attention, countering the general tendency in Translation Studies to center on the former’s collaboration , instead of , the latter. This study also reaffirms the epistemological effectiveness of translation in probing artistic processes and products, which could help enhance our understanding of translation, art, and their translaboration.

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2026-04-16
2026-05-19

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  • Article Type: Research Article
Keywords: translaboration ; translation ; Phoenix ; Xu Bing ; art production

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