Subaltern mediators in the digital landscape

References

1. Álvarez, Román , and M. Carmen-África Vidal
   1996 “Translating: A Political Act.” InTranslation, Power, Subversion, ed. by Román Álvarez , and M. Carmen-África Vidal , 1–9. Clevedon: Multilingual Matters.
   [Google Scholar]
2. Aparicio, Javier
   2015 La imaginación en la jaula. Razones y estrategias de la creación coartada. Madrid: Cátedra.
   [Google Scholar]
3. Apple
   2010 iBookstore: Publisher User Guide1.3. itunesconnect.apple.com/docs/iTunesConnect_PublisherUserGuide_1.3.pdf
   [Google Scholar]
4. Apter, Emily S.
   2001 “On Translation in a Global Market.” Public Culture13 (1): 1–12. doi: 10.1215/08992363‑13‑1‑1
   https://doi.org/10.1215/08992363-13-1-1 [Google Scholar]
5. Arac, Jonathan
   2002 “Anglo-Globalism?” New Left Review16: 35–45.
   [Google Scholar]
6. Armstrong, James , Peter Lutze , and Laura Woodworth-Ney
   2009 “VideoPoetry: Integrating Video, Poetry and History in the Classroom.” International Journal of the Arts in Society3 (5): 53–66.
   [Google Scholar]
7. Arruda, William
   2009 “Brand Communication. The Three Cs.” Thunderbird. International Business Review51 (5): 409–416. doi: 10.1002/tie.20279
   https://doi.org/10.1002/tie.20279 [Google Scholar]
8. Banks, Zata
   2016 “PoetryFilm: Semiotics and Multimodality.” Poetryfilm Magazine1: 4–7.
   [Google Scholar]
9. Basalamah, Salah
   2009 Le droit de traduire. Une politique culturelle pour la mondialisation. Otawa: Presses de l’Université d’Otawa.
   [Google Scholar]
10. Benhamou, Françoise
    2014 Le livre à l’heure numérique. Papier, écrans, vers un nouveau vagabondage. Paris: Seuil.
    [Google Scholar]
11. Berger, John
    1972 Ways of Seeing. London: British Broadcasting Corporation and Penguin Books.
    [Google Scholar]
12. Bhaskar, Michael
    2013 The Content Machine. Towards a Theory of Publishing from the Printing Press to the Digital Network. London: Anthem Press.
    [Google Scholar]
13. Black, Joanna , and Karen Smith
    2008 “Inspired by the Poetic Moving Image.” Art Education61 (2): 25–29.
    [Google Scholar]
14. Bonta, Dave
    2011 “Poetry Animator Jim Clark’s YouTube Account Suspended.” Moving Poems Magazine, February8. discussion.movingpoems.com/2011/02/poetry-animator-jim-clarks/
    [Google Scholar]
15. Bonta, Dave
    2012 “Video Poetry: What Is It, Who Makes It, and Why?” Moving Poems Magazine, February28. discussion.movingpoems.com/2012/02/videopoetry-what-is-it-who-makes-it-and-why/
    [Google Scholar]
16. Bourdieu, Pierre
    1996 The Rules of Art. Genesis and Structure of the Literary Field. Translated by Susan Emanuel . Stanford, CA: Stanford University Press.
    [Google Scholar]
17. Breznik, Maja
    2012 “The Double Role of the Writer as Worker and Rentier.” Primerjalna književnost35 (1): 141–155.
    [Google Scholar]
18. Casanova, Pascale
    2007 The World Republic of Letters. Translated by M.B. DeBevoise . Harvard, MA: Harvard University Press.
    [Google Scholar]
19. Castells, Manuel
    2009 Comunicación y poder. Madrid: Alianza Editorial.
    [Google Scholar]
20. Chesher, Chris
    2005 “Blogs and the Crisis of Authorship.” BlogTalk Downunder Conference . University of Sidney.
    [Google Scholar]
21. Coleman, Stephen , and Deen Freelon
    2015 “Introduction: Conceptualizing Digital Politics.” InHandbook of Digital Politics, ed. by Stephen Coleman , and Deen Freelon , 1–13. Chentelham: Edward Elgar Publishing. doi: 10.4337/9781782548768.00007
    https://doi.org/10.4337/9781782548768.00007 [Google Scholar]
22. Cordón-García, José Antonio , and Carlos García-Figuerola
    2012 “Introducción. Aventuras, inventos y mixtificaciones del libro electrónico.” InLibros electrónicos y contenidos digitales en la sociedad del conocimiento. Mercados, servicios y derechos, ed. by José Antonio Cordón García , Fernando Carbajo Cascón , Raquel Gómez Díaz , and Julio Alonso Arévalo , 19–47. Madrid: Pirámide.
    [Google Scholar]
23. Damrosch, David
    2006 “World Literature in a Postcanonical, Hypercanonical Age.” InComparative Literature in an Age of Globalization, ed. by Haun Saussy , 43–53. Baltimore, MD: The Johns Hopkins University Press.
    [Google Scholar]
24. Desjardins, Renée
    2011 “Facebook Me!: Initial Insights in Favour of Using Social Networking as a Tool for Translator Training.” Linguistica Antverpiensia, New Series – Themes in Translation Studies10: 175–193.
    [Google Scholar]
25. Emerson, Lori
    2014 Reading Writing Interfaces. From the Digital to the Bookbound. Minneapolis, MN: University of Minnesota Press. doi: 10.5749/minnesota/9780816691258.001.0001
    https://doi.org/10.5749/minnesota/9780816691258.001.0001 [Google Scholar]
26. Epstein, Joseph
    1988 “Who Killed Poetry?” Commentary, August1: 13–20.
    [Google Scholar]
27. Gerritzen, Mieke , et al.
    2011 I Read Where I Am. Exploring New Information Cultures. Amsterdam: Valiz. AccessedDecember 20, 2015. www.ireadwhereiam.com/
    [Google Scholar]
28. Gough, Joanna
    2011 “An Empirical Study of Professional Translators’ Attitudes, Use and Awareness of Web 2.0 Technologies, and Implications for the Adoption of Emerging Technologies and Trends.” Linguistica Antverpiensia, New Series – Themes in Translation Studies10: 195–217.
    [Google Scholar]
29. Heilbron, Johan
    1999 “Towards a Sociology of Translation. Book Translations as a Cultural World-System.” European Journal of Social Theory2 (4): 429–444.
    [Google Scholar]
30. Helmcke, Aline , and Guido Naschert
    2016 “Editorial.” Poetryfilm Magazine, January, 1: 4–7.
    [Google Scholar]
31. Holden, John
    2015 The Ecology of Culture. A Report Commissioned by the Arts and Humanities Research Council’s Cultural Value Project. Swindon: Arts and Humanities Research Council.
    [Google Scholar]
32. Kadushin, Charles
    2012 Understanding Social Networks: Theories, Concepts, and Findings. Oxford: Oxford University Press.
    [Google Scholar]
33. Kan, Elianna
    2015 “Spanish Publishers Frustrated by Lack of English Translations.” Publishing Perspectives, April, 3. AccessedDecember 20, 2015. publishingperspectives.com/2015/04/spanish-publishers-frustrated-by-lack-of-english-translations/#.VnaTP-JEeso
    [Google Scholar]
34. Khedher, Manel
    2015 “A Brand for Everyone: Guidelines for Personal Brand Managing.” Journal of Global Business Issues9 (1): 19–27.
    [Google Scholar]
35. Kernan, Alvin
    1990 The Death of Literature. New Haven, CT: Yale University Press.
    [Google Scholar]
36. Konyves, Tom
    2011 “Video Poetry: A Manifesto.” Accessed December 20, 2015. issuu.com/tomkonyves/docs/manifesto_pdf
37. Konyves, Tom
    2016 “Redefining Poetry in the Age of the Screen.”Poetryfilm Magazine, January, 1: 9.
    [Google Scholar]
38. Krasilovsky, Alexis
    2012 “Creating and Distributing Video Poetry.” InWomen on Poetry: Writing, Revising, Publishing and Teaching, ed. by Carol Smallwood , Colleen S. Harris , and Cynthia Brackett-Vincent , 139–143. Jefferson, NC: McFarland & Company Publishers.
    [Google Scholar]
39. Lessig, Lawrence
    2004 Free Culture. How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. New York: The Penguin Press.
    [Google Scholar]
40. Lessig, Lawrence
    2008 Remix. Making Art and Commerce Thrive in the Hybrid Economy. London: Bloomsbury. doi: 10.5040/9781849662505
    https://doi.org/10.5040/9781849662505 [Google Scholar]
41. Marwick, Alice E
    2013 Status Update. Celebrity, Publicity, and Branding in the Social Media Age. New Haven, CT: Yale University Press.
    [Google Scholar]
42. Nagy, Peter , and Bernadett Koles
    2014 “The Digital Transformation of Human Identity: Towards a Conceptual Model of Virtual Identity in Virtual Worlds.” Convergence: The International Journal of Research into New Media20 (3): 276–292. doi: 10.1177/1354856514531532
    https://doi.org/10.1177/1354856514531532 [Google Scholar]
43. Niranjana, Tejaswini
    1992 Siting Translation: History, Post-Structuralism, and the Colonial Context. Berkeley, CA: University of California Press.
    [Google Scholar]
44. Nussbaum, Martha C
    2010 Not for Profit: Why Democracy Needs the Humanities. Princeton, NJ: Princeton University Press.
    [Google Scholar]
45. O’Reilly, Tim , and John Battelle
    2009 Web Squared: Web 2.0 Five Years On. AccessedOctober 23, 2016. assets.en.oreilly.com/1/event/28/web2009_websquared-whitepaper.pdf
    [Google Scholar]
46. Perrino, Saverio
    2009 “User-Generated Translation: The Future of Translation in a Web 2.0 Environment.” The Journal of Specialised Translation12. AccessedOctober 25, 2016. www.jostrans.org/issue12/art_perrino.php
    [Google Scholar]
47. Peters, Tom
    1997 “The Brand Called You.” Fast Company, 10. AccessedOctober 29, 2016. www.fastcompany.com/28905/brand-called-you
    [Google Scholar]
48. Pfeiler, Martina
    2016 “Poetry Films: Cultural Resistance and Creative Reinvention.”Poetryfilm Magazine, January, 1: 23.
    [Google Scholar]
49. Robledo, Javier
    2016 “Die archaische Faszination am Poetryfilm.” Poetryfilm Magazine, January, 1: 20–22.
    [Google Scholar]
50. Sapiro, Gisèle
    2016 “Bourdieu’s Sociology of Culture: On the Economy of Symbolic Goods.” InThe Sage Handbook of Cultural Sociology, ed. by David Inglis , and Anna-Mari Almila , 91–104. Los Angeles, CA: Sage.
    [Google Scholar]
51. Smith, Philip
    1996 “Whatness of Bookness.” Canadian Bookbinders and Book Artists Guild. www.philobiblon.com/bookness.shtml
    [Google Scholar]
52. Squires, Claire
    2007 Marketing Literature. The Making of Contemporary Writing in Britain. Basingstoke: Palgrave Macmillan. doi: 10.1057/9780230593008
    https://doi.org/10.1057/9780230593008 [Google Scholar]
53. Stallman, Richard
    2011 The Danger of Ebooks. AccessedFebruary 12, 2016. stallman.org/articles/ebooks.pdf
    [Google Scholar]
54. Stein, Kevin
    2010 Poetry’s Afterlife: Verse in the Digital Age. Ann Arbor, MI: University of Michigan Press. doi: 10.3998/dcbooks.8300965.0001.001
    https://doi.org/10.3998/dcbooks.8300965.0001.001 [Google Scholar]
55. Tabbi, Joseph
    2010 “Electronic Literature as World Literature; or, the Universality of Writing under Constraint.” Poetics Today31 (1): 17–50. doi: 10.1215/03335372‑2009‑013
    https://doi.org/10.1215/03335372-2009-013 [Google Scholar]
56. Thompson, John B
    2005 Books in the Digital Age. Cambridge: Polity Press.
    [Google Scholar]
57. Thompson, John B
    2010 Merchants of Culture. The Publishing Business in the Twenty-First Century. Cambridge: Polity Press.
    [Google Scholar]
58. Tymoczko, Maria , and Edwin Gentzler
    eds. 2002 Translation and Power. Amherst, MA: University of Massachusetts Press.
    [Google Scholar]
59. Tomlinson, John
    2007 “Globalization and Cultural Analysis.” InGlobalization Theory. Approaches and Controversies, ed. by David Held , and Anthony MacGrew , 148–168. Cambridge: Polity Press.
    [Google Scholar]
60. UNESCO
    2005 “Convention on the Protection and Promotion of the Diversity of Cultural Expressions.” Paris: UNESCO. Accessed December 20, 2015. unesdoc.unesco.org/images/0014/001429/142919e.pdf
61. Venuti, Lawrence
    1995 The Translator’s Invisibility. A History of Translation. London: Routledge. doi: 10.4324/9780203360064
    https://doi.org/10.4324/9780203360064 [Google Scholar]
62. Weedon, Alexis
    2012 “The Book as a Dynamic System for the Commodification of Ideas and Cultural Expressions.” Primerjalna književnost35 (1): 177–199.
    [Google Scholar]
63. Wischenbart, Rüdiger
    2013 Global eBook. A Report on Market Trends and Developments. www.wischenbart.com/upload/the_global_ebook_report_fall2013_final04-2edi_pdf.pdf
    [Google Scholar]