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Beyond transfiction
  • ISSN 1932-2798
  • E-ISSN: 1876-2700
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Abstract

This article aims to provide an overview of the intricate overlap of agent roles that characterized the production process of a popular bilingual work — [The Brussels Street Singer] — which circulated in the Belgian capital between 1897 and 1899. By reassembling the micro-networks around the production process of , this study shows how the interaction and interference of different actors and agent roles led to the creation of a fundamentally hybrid work, one that allows for a better understanding of the Belgian literary configuration at the turn of the twentieth century.

© 2016 John Benjamins Publishing Company
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/content/journals/10.1075/tis.11.3.03gon
2016-11-07
2024-10-06

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/content/journals/10.1075/tis.11.3.03gon
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  • Article Type: Research Article
Keyword(s): bilingual writing; Georges Eekhoud; Julius Hoste; network analysis; translation agents; translations of popular literature

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