The instafamous translator

References

1. AITI
   AITI 2012 “Statuto.” Accessed2 February 2024. https://aiti.org/it/statuto
2. Alvstad, Cecilia
   2014 “The Translation Pact.” Language and Literature23 (3): 270–284. 10.1177/0963947014536505
   https://doi.org/10.1177/0963947014536505 [Google Scholar]
3. Akashi, Motoko
   2018a Contesting Invisibility: Japanese Celebrity Translators and the Impact of their Fame. PhD diss. University of East Anglia.
4. Akashi, Motoko
   2018b “Translator Celebrity: Investigating Haruki Murakamiʼs Visibility as A Translator.” Celebrity Studies9 (2): 271–278. 10.1080/19392397.2018.1458531
   https://doi.org/10.1080/19392397.2018.1458531 [Google Scholar]
5. Azzolin, Rebecca
   2019 “La comunicazione mediata e i nuovi paradigmi comunicativi: studio interdisciplinare [Mediated Communication and New Communicative Paradigms: An Interdisciplinary Study].” Master’s diss. Università Ca’ Foscari Venezia.
6. Biblit
   Biblit 2019 “Traduttori in copertina.” Accessed31 January 2024. https://www.biblit.it/idee/traduttori-in-copertina/
7. Batchelor, Kathryn
   2018 Translation and Paratexts. London: Routledge. 10.4324/9781351110112
   https://doi.org/10.4324/9781351110112 [Google Scholar]
8. Bourdieu, Pierre
   1995 The Rules of Art: Genesis and Structure of the Literary Field. Redwood City, CA: Stanford University Press.
   [Google Scholar]
9. CEATL (European Council of Associations of Literary Translators)
   CEATL (European Council of Associations of Literary Translators) 2022 Accessed20 July 2022. https://www.ceatl.eu/wp-content/uploads/2022/06/CEATL-Legal-survey-ENG.pdf
10. Cinerari, Rachele
    2018 Accessed25 August 2023. https://web.archive.org/web/20211127113921/; https://www.finzionimagazine.it/f/tradurre-francesca-crescentini/
11. Colletti, Giampaolo, and Fabio Grattagliano
    2020 Accessed10 March 2022. https://24plus.ilsole24ore.com/art/da-zodiaco-tegamini-book-influencer-guidano-%20lettura-social-ADMnPyH
12. Crescentini, Francesca
    2010 “Tegamini – il blog di Francesca Crescentini.” Accessed10 April 2023. https://www.tegamini.it
13. Colibrì
    Colibrì 2020 “‘Gideon la Nona’ di Tamsyn Muir, con Francesca Crescentini e Tiffany Vecchietti.” Facebook. 23 November 2020. https://www.facebook.com/Colibrimilano/videos/371297284102963
    [Google Scholar]
14. Duranti, Riccardo
    2011 “Italian Tradition.” InRoutledge Encyclopedia of Translation Studies. 2nd ed.Edited byMona Baker, and Gabriela Saldanha, 474–484. Abingdon, Oxon: Routledge.
    [Google Scholar]
15. Freeth, Peter J.
    2022 Beyond Invisibility: The Position and Role of the Literary Translator in the Digital Paratextual Space. PhD diss. University of Leeds.
16. Genette, Gérard
    1997 Paratexts: Thresholds of Interpretation. Translated byJane E. Lewin. Cambridge: Cambridge University Press. 10.1017/CBO9780511549373
    https://doi.org/10.1017/CBO9780511549373 [Google Scholar]
17. Gretzel, Ulrike
    2018 “Influencer Marketing in Travel and Tourism.” InAdvances in Social Media for Travel, Tourism and Hospitality: New Perspectives, Practice and Cases, edited byMarianna Sigala, and Ulrike Gretzel, 147–156. London and New York: Routledge.
    [Google Scholar]
18. Hadley, James, and Motoko Akashi
    2015 “Translation and Celebrity: The Translation Strategies of Haruki Murakami and Their Implications for the Visibility Paradigm.” Perspectives23 (3): 458–474. 10.1080/0907676X.2014.998688
    https://doi.org/10.1080/0907676X.2014.998688 [Google Scholar]
19. Hahn, Daniel
    2022 Catching Fire: A Translation Diary. Edinburgh: Charco Press.
    [Google Scholar]
20. Horton, Donald, and R. Richard Wohl
    1956 “Mass Communication and Para-social Interaction: Observations on Intimacy at a Distance.” Psychiatry19 (3): 215–229. 10.1080/00332747.1956.11023049
    https://doi.org/10.1080/00332747.1956.11023049 [Google Scholar]
21. Il Saggiatore
    Il Saggiatore 2018 “Guardate questa copertina…” Facebook. 11 January 2018. https://www.face​book.com/ilSaggiatore/photos/a.507870255900356/1680728268614543/
    [Google Scholar]
22. Il Salone Internazionale del Libro di Torino
    Il Salone Internazionale del Libro di Torino 2023 Accessed13 April 2023. https://www.salone​libro.it/programma?filters[authors]=15521
23. Jerslev, Anne
    2016 “In the Time of Microcelebrity: Celebrification and the Youtuber Zoella.” International Journal of Communication101: 5233–5251.
    [Google Scholar]
24. Kay, Samantha, Rory Mulcahy, and Joy Parkinson
    2020 “When Less Is More: The Impact of Macro and Micro Social Media Influencersʼ Disclosure.” Journal of Marketing Management36 (3–4): 248–278. 10.1080/0267257X.2020.1718740
    https://doi.org/10.1080/0267257X.2020.1718740 [Google Scholar]
25. Koskinen, Kaisa
    2000 Beyond Ambivalence: Postmodernity and the Ethics of Translation. PhD diss. University of Tampere.
26. Le Notti Bianche
    Le Notti Bianche 2019 “Francesca Crescentini – Tegamini e la traduzione.” Facebook event. 6 April 2019. https://www.facebook.com/events/le-notti-bianche/francesca-crescentini-tegamini-e-la-traduzione/1155688584604468/
    [Google Scholar]
27. Marino, Francesco
    2013 “Il fantasmagorico mondo di Tegamini.” Digitalic191: 68–70.
    [Google Scholar]
28. Markerly
    Markerly 2018 Accessed14 January 2024. https://markerly.com/blog/micro-influencers-vs-macro-influencers/
29. Marwick, Alice E.
    2015 “Instafame: Luxury Selfies in the Attention Economy.” Public Culture, 27 (1): 137–160. 10.1215/08992363‑2798379
    https://doi.org/10.1215/08992363-2798379 [Google Scholar]
30. Murray, Simone
    2018 The Digital Literary Sphere: Reading, Writing, and Selling Books in the Internet Era. Baltimore: Johns Hopkins University Press. 10.1353/book.60734
    https://doi.org/10.1353/book.60734 [Google Scholar]
31. Not Just Analytics
    Not Just Analytics 2023 Accessed31 January 2024. https://www.notjustanalytics.com/#
32. Oscar Vault
    Oscar Vault 2019a “La traduzione è stata affidata a…” Instagram. 17 July 2019. https://www.instagram.com/p/B0A4S50AAb0/
    [Google Scholar]
33. Oscar Vault
    Oscar Vault 2019b “Sta per arrivare un fumetto bellissimo…” Facebook. 5 June 2019. https://www.facebook.com/oscarmondadorivault/photos/a.2166887076871368/2643​7175​2585​4985/
    [Google Scholar]
34. Oscar Vault
    Oscar Vault 2020 “Inauguriamo un nuovo appuntamento…” Instagram. 30 April 2020. https://www.instagram.com/p/B_me2wMnqF9/
    [Google Scholar]
35. Oscar Vault
    Oscar Vault 2021 “Altri dettagli del libro…” Facebook. 28 December 2021. https://www.face​book.com/oscar​mondado​rivault/posts/pfbid​0thFm5​EWMTzt​2vCTxR​1vUpUn​JZ8RbB​fcKdKx​7sB5h​fTUDc​4TBVXb​Y9qt3​cNZZE​e9al
    [Google Scholar]
36. Paloposki, Outi
    2009 “Limits of Freedom: Agency, Choice and Constraints in the Work of the Translator.” InAgents of Translation, edited byJohn Milton, and Paul Bandia, 189–208. Amsterdam: John Benjamins. 10.1075/btl.81.09pal
    https://doi.org/10.1075/btl.81.09pal [Google Scholar]
37. Rahmah, Sarah, and Dan Ren
    2019 “The Impact of Micro-Influencer Marketing on Millennials Purchasing Decision.” Masters diss. Skema Business School.
38. Ruiz-Gómez, Alexandra
    2019 “Digital Fame and Fortune in the Age of Social Media: A Classification of Social Media Influencers.” aDResearch ESIC International Journal of Communication Research19 (19): 8–29. 10.7263/adresic‑019‑01
    https://doi.org/10.7263/adresic-019-01 [Google Scholar]
39. Salone Internazionale del Libro di Torino
    Salone Internazionale del Libro di Torino 2023 “Programma.” I ferri del mestiere: Autopromuoversi con i social network. https://www.salonelibro.it/programma/eventlist.html?item=6741
    [Google Scholar]
40. Sela-Sheffy, Rakefet
    2005 “How to be a (recognized) translator.” Target171 (11): 1–26. 10.1075/target.17.1.02sel
    https://doi.org/10.1075/target.17.1.02sel [Google Scholar]
41. Sela-Sheffy, Rakefet
    2008 “The Translators’ Personae: Marketing Translatorial Images as Pursuit of Capital.” Meta53 (3): 609–622. 10.7202/019242ar
    https://doi.org/10.7202/019242ar [Google Scholar]
42. Senft, Theresa M.
    2013 “Microcelebrity and the Branded Self.” InA Companion to New Media Dynamics, edited byJohn Hartley, Jean Burgess, and Axel Bruns, 346–354. Chichester: Wiley-Blackwell. 10.1002/9781118321607.ch22
    https://doi.org/10.1002/9781118321607.ch22 [Google Scholar]
43. Strade – Sezione Traduttori Editoriali SLC-CGIL
    Strade – Sezione Traduttori Editoriali SLC-CGIL 2022 “Statuto StradeLab.” July 2022 Accessed27 July 2022. https://www.traduttoristrade.it/wp-content/uploads/2022/07/statuto_Stradelab.pdf
44. Svahn, Elin
    2020 The Dynamics of Extratextual Translatorship in Contemporary Sweden: A Mixed Method Approach. PhD diss. Stockholm University.
45. Tahir Gürçaglar, Şehnaz
    2011 “Paratexts.” InHandbook of Translation Studies (Volume 2), edited byYves Gambier, and Luc van Doorslaer, 113–116. Amsterdam and Philadelphia: John Benjamins. 10.1075/hts.2.par1
    https://doi.org/10.1075/hts.2.par1 [Google Scholar]
46. Toury, Gideon
    1995 Descriptive Translation Studies – and beyond. Amsterdam and Philadelphia: John Benjamins. 10.1075/btl.4
    https://doi.org/10.1075/btl.4 [Google Scholar]
47. TrackMaven
    TrackMaven 2016 Slideshare presentation. Accessed17 January 2024. https://www.slideshare.net/TrackMaven/the-state-of-social-marketing-2016-b2c-industry-edition
48. Venuti, Lawrence
    1995 The Translator’s Invisibility: A History of Translation. Abingdon: Routledge.
    [Google Scholar]
49. Zhang, Wenqian
    2023 “Constructing the Literary Translator as a Brand: Methodological Considerations.” Translation in Society2 (2): 123–145. 10.1075/tris.23009.zha
    https://doi.org/10.1075/tris.23009.zha [Google Scholar]