Target. International Journal of Translation Studies - Online First

Fansubs (subtitles made by fans for fans) have become a global practice, and it is by now a fairly well-described phenomenon, particularly for fansubs of Japanese anime. However, for Sweden, which has a long and strong tradition of prosubs (commissioned professional subtitles), there have hardly been any studies of this increasingly prolific phenomenon. This paper seeks to remedy this situation by investigating 16 subtitled versions of ten English-language films. The analysis uses the FAR model of quality assessment and also investigates other aspects, such as creativity. The results show that there is great variety between the various fansubbed versions. On average, Swedish fansubs are found to be of lower quality, less adhering to norms and also more abusively faithful than prosubs. Moreover, the fansubs in this study are hardly creative at all. This could be due to fansubbing being a rather marginal phenomenon in Sweden, the land of subtitling.

An experimental study was conducted to examine whether simultaneous interpreters are affected by the speaker’s emotions. To this end, two measures of emotion were used: galvanic skin response (GSR) as a marker of emotional arousal, and SUPIN – the Polish adaptation of PANAS (Positive and Negative Affect Schedule). A group of interpreters with Polish as their A language and English as their B language (N = 20) took part in the experiment. They were asked to simultaneously interpret two speeches (recordings accompanied by video) from Polish into English: a neutral speech and an emotional speech. The results show that the interpreters are indeed affected by the speaker’s emotions, which is reflected in both a greater galvanic skin response and higher SUPIN scores for the emotional speech, when compared to the neutral speech and baseline values. The results may shed new light on the importance of emotion processing in simultaneous interpreting.