Chinese Language and Discourse - Volume 6, Issue 2, 2015

This paper investigates the use of grammatical forms in directive sequences by drawing on daily interactions between colleagues in a medical laboratory in Hong Kong. From a conversation analytic perspective, we focus on how directives in Cantonese are commonly formulated and how the force of a directive is mitigated. Our analysis shows that (1) the imperative seems to be the most frequently used syntactic form for giving directives and there is no apparent hierarchical (‘power’) differentiation, (2) the imperative-formulated directives are frequently mitigated by the use of a range of linguistic forms as well as interactional resources.

The present study addresses the rate of conceptual autonomy and dependence in Chinese lexical semantic analysis, presenting an analysis of how image-schema, domains and co-text interact in the [v]–[shang] construction as an example. Following a Principled Polysemy methodology, I identify the semantic prototype and four metaphorical senses of the construction. I also show the co-textual characteristics associated with each sense, which opens up further discussion of how image-schema and conceptual domains collaborate to produce the various senses. Based on these findings, I further establish a hierarchy of influence from co-text, where the semantics of an RVC depends first of all on its collocating verb and secondarily on a collocating noun phrase. This paper aims to show in some detail how image-schema, conceptual domains and patterns of co-text co-contribute to the polysemy of RVCs. It moreover proposes a novel way of analyzing Chinese lexical semantics in terms of conceptual autonomy and dependence.

Different speech styles come with different tunes. This paper reports the first empirical study of the tunes of different speech styles; namely, opera speaking versus opera singing, opera speaking versus normal speaking, and normal speaking versus normal singing. In all these speech styles, Cantonese lexical tones are well preserved. The data analyses show that speaking and singing differ mainly in pitch slope. Speaking styles are associated with a declining intonation, while singing styles show a slightly ascending tendency. The acoustic data also indicate that a higher pitch register is usually employed when a speech type is considered more conspicuous, such as opera speaking (compared with normal speaking) and normal singing (compared with normal speaking).

A new study of modern Chinese poetry has been published that deserves the attention of linguists working in both the applied and theoretical fields. The focus of the book is experimental and avant-garde literature, and as such it raises questions that are different than the ones we are accustomed to considering in the field of poetics. This review essay considers proposals for understanding poetic ability and sensibility from the point of view of applications of cognitive science.

This article reviews corpus-based Chinese studies, both applied and theoretical, from the 1920s to the present. It will be shown that, while corpus-based Chinese studies have been gaining momentum for only the last couple of decades, the roots of Chinese corpus linguistics go all the way back to the beginning of the 20th century. Today the bulk of corpus-based Chinese studies is oriented toward applied linguistics, with the compilation of frequency character/word lists and interlanguage Chinese studies being the most popular types of research. In addition to applied linguistic studies, this overview also highlights some innovative corpus studies on lexical and grammatical aspects of both classical and modern Chinese, as well as studies of sociolinguistic variation and discourse pragmatics. Overall, important groundwork in Chinese corpus linguistics is acknowledged and future directions are discussed.